Quotes About Background

If character is the foreground of fiction, setting is the background, and as in a painting's composition, the foreground may be in harmony or in conflict with the background.

I always feel very connected to Canada. My reference for everything is my Canadian background, my life in Canada. Particularly on this issue of refugee immigration: I couldn't be prouder of Canada.

I come from a little bit of a theatrical background. I started that way. I don't have a tremendous body of work or anything, but I went to drama school. And so, to get to do a piece where the characters get to talk a lot, and that isn't just about the spectacle or the set piece, or is simply visual or movement based. It was really wonderful for me, and juicy and exciting.

Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.

The great background question about the Labour governments of the sixties is whether with a stronger leader they could have gripped the country's big problems and dealt with them. How did it happen that a cabinet of such brilliant, such clever and self-confident people achieved so little? In part, it was the effect of the whirling court politics demonstrated by 'In Place of Strife'.

They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes. (On photographs of mundane streetscapes he had Stanley Something-or-other take in Sacramento in 1988 to serve as backgrounds to his cartoons. People don't draw it, all this crap, people don't focus attention on it because it's ugly, it's bleak, it's depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life. )

... some of my people could have been left [in Africa] and are living there. And I can't understand them and they don't know me and I don't know them because all we had was taken away from us. And I became kind of angry; I felt the anger of why this had to happen to us. We were so stripped and robbed of our background, we wind up with nothing.

I'm very interested in the materiality of language. I wonder if, perhaps, this comes from my background in the visual arts. I was a potter for a number of years and earned a BFA in art before going to graduate school for creative writing.

I come from a traditional theater background.

I grew up in Fall River, Massachusetts. My background was modest, and I worked at a Portuguese bakery in town.

So much of my work is defined by the difference between the figure in the foreground and the background. Very early in my career, I asked myself, "What is that difference?" I started looking at the way that a figure in the foreground works in eighteenth- and nineteenth-century European paintings and saw how much has to do with what the figure owns or possesses. I wanted to break away from that sense in which there's the house, the wife, and the cattle, all depicted in equal measure behind the sitter.

I never liked the whole idea of [creating your own] background, if it's not pertinent, where the character lived as a child, and who I was and how I was. That never helped me in any way, so I don't even do that.

As I got older, then my particular ambitions started cohering around creating a world in which people of different races or backgrounds or faiths can recognize each other's humanity, or creating a world in which every kid, regardless of their background, can strive and achieve and fulfill their potential.

You are not just here to fill space or be a background character in someone else's movie. Consider this: nothing would be the same if you did not exist. Every place you have ever been and everyone you have ever spoken to would be different without you. We are all connected, and we are all affected by the decisions and even the existence of those around us.

Jazz is not background music. You must concentrate in order to get the most out of it. You must absorb it.

I'm an activist and I come from a very socialist background. For me, my thinking was formed by great thought leaders. And wealth preserving wasn't part of my thinking.

I've always been a fan of vinyl. There's something about the ritual of it. Something about it holds its gravity, for some reason. Sometimes you'll put on music and the music fades into the background. But when you take that vinyl out and put it down, the music becomes the conversation as opposed to being the soundtrack to it.

You can't be from Montgomery, Alabama, and not have a background in the church. It's at the core of who we are as a people.

I don't come from a privileged background.

The wonderful news is that when a person with my lack of art background can be successful, then anyone can. I'm not super talented and had no art training. Nothing, nada, zip. No workshops or classes.

You watch the country-music awards that they show on the television, and you see country music has reached about 1985. It's all huge processed drum sounds and chiming chorus guitars and programmed synths bobbling along in the background.

I got into law school to supplement my business background. I'm not planning to practice law.

In November [2016], Americans are gonna have to make a decision about what we care about and who we are. We get these spasms of politics around immigration and fearmongering and then our traditions and our history and our better impulses kick in. That's how we all ended up here. 'Cause I guarantee you at some point every one of us has somebody in our background who people didn't want coming here. And yet here we are.

When you grow up in that environment of drugs and guns and people gettin' hurt, it start to reflect your background. And I think, at that time when I was doin' it, that's all I knew. But as I got older in the business, I stopped bein' involved with that, and I started to look at the world. And I said, 'Yo, I wanna start talkin' about everything that goes on in the world. I don't wanna just limit myself to one style'.

Bluegrass is really a big part of my background.

Self-discipline is the key to personal greatness. It is the magic quality that opens all doors for you, and makes everything else possible. With self-discipline, the average person can rise as far and as fast as his talents and intelligence can take him. But without self-discipline, a person with every blessing of background, education and opportunity will seldom rise above mediocrity.

There are clearly people for whom Stoicism immediately "clicks," it comes natural, and others for whom it doesn't. Then again, Stoicism isn't the only positive philosophy of life. Buddhism is an excellent alternative, if it speaks more clearly to one's personality or cultural background.

When you see how fragile and delicate life can be, all else fades into the background.

I'm a Catholic by background. I was raised in Goa, a part of India that was visited by Portuguese missionaries a few hundred years ago, which explains my last name.

The brain "fills in" the missing information from the blind spot. Notice what you see in the location of the dot when it's in your blind spot. When the dot disappears, you do not perceive a hole of whiteness or blackness in its place; instead your brain invents a patch of the background pattern. Your brain, with no information from that particular spot in visual space, fills in with the patterns around it. You're not perceiving what's out there. You're perceiving whatever your brain tells you.

I'm of Arab background.

I don't think there is a single sentence in this whole book [East of Eden] that does not either develop character, carry on the story or provide necessary background.

I put out a recording of me singing mostly jazz because I wanted people to know I'm coming from a jazz background.

When you sit in a café, with a lot of music in the background and a lot of projects in your head, you're not really drinking your coffee or your tea. You're drinking your projects, you're drinking your worries. You are not real, and the coffee is not real either. Your coffee can only reveal itself to you as a reality when you go back to your self and produce your true presence, freeing yourself from the past, the future, and from your worries. When you are real, the tea also becomes real and the encounter between you and the tea is real. This is genuine tea drinking.

It's unfortunate that some people do not see what entertainers do in the background, but many of us do so much work with causes. You know some people have chewed me out, saying things like, "Oh why could you post pictures in your dresses and meanwhile they killing black men on the street?" I'm thinking, excuse me do you know what I did today? Do you know what I'm doing right now while I'm reading this post? So I think a lot of celebrities get a bad rap because people see the surface.

I give you the chameleon, whose ability to blend itself into the background tells you all you need to know about the roots of ecology and the foundations of a personal identity

A background of wrath, which can be stirred up to the murderous infernal pitch, does lie in every man.

Religion was fading into the background. He had shovelled away all the beliefs that would hamper him, had cleared the ground, and come more or less to the bedrock of belief that one should feel inside oneself for right or wrong, and should have the patience to gradually realise one's God. Now life interested him more.

I have a broad but not an expert or scholarly background in the Jewish tradition. I've tried to learn what I can from childhood, but I am not an expert on Jewish teachings.

I'm a boys' girl! I come from an army background and I haven't known what being a 'good Indian girl' means.

I think that my preaching style and many of my ideas and ideals about faith are based in both Pentecostal and Baptist background.

My filmmaking background has really just been making movies with my friends since I was 12 years old. That's how I feel I learned how to tell a story visually, by just going out with a video camera and making movies with my friends and family.

Any political situation has many sides... We intellectualize the whole situation any way... We make our intellectual decisions based on our cultural background and how we live.

The fundamental basis of this nation’s laws was given to Moses on the Mount…If we don’t have a proper fundamental moral background, we will finally end up with a totalitarian government which does not believe in rights for anybody except the State.

I think great businessmen are more likely made than born. I don't know if it's from your upbringing, your parental background, the struggles you go through. In my own particular situation, I left school at 15 and I was struggling to survive in the jungle and that was a great education. So I think just getting out there, hands on, learning to survive teaches you a lot.

Sometimes the FBI is assigned to do background checks on people who are coming into government in the executive office of the president. Other times, not. A lot of times there are people who are arriving with clearances that already exist.

I ask you to uphold the values of America and remember why so many have come here. We're in a fight for our principles, and our first responsibility is to live by them. No one should be singled out for unfair treatment or unkind words because of their ethnic background or religious faith.

I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.