Quotes About Bands

When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.

I've always been a fan of the band setting. I've always been a believer in bands, and I've always been in bands. That's where my comfort zone is. So to stand outside of that, that was never my intention or goal. I never had the dream of, 'I'm gonna go into all these bands as a spring board for my solo work.' But life takes you on different journeys sometimes. I ended up playing a bunch of songs and some of them I really liked.

TALLAHASSEE LASSIE was a record I wrote with my mom. A number of other famous groups have also recorded it such as Led Zeppelin (I understand they are currently touring) and several other English bands and also some various "Punk Bands".

With any "new" form of music, the originators are usually good bands that have good music and good ideas, like Nirvana. But then you get all the followers and wannabes, bands like Silverchair, etc...and that really sucks.

I definitely prefer to be in a band. There's too many solo people, and bands are suffering. There's too many great bands that have split up because somebody's got an ego, and then he goes solo.

When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young

I don't think that bands that make it on their first album are as strong as bands that don't: there is nowhere to go but down.

For the name Lion Babe, we are a little avant-garde, a little left. And with bands like Blondie, Pink Floyd, or Jamiroquai, you don't know they're bands, you just kind of hear the name and you're like 'What is it?' so that was the kind of thing we wanted to do.

We[ Papa Roach ]'re always trying to get bigger and bigger. It's weird because I wasn't around when they sold millions of records. Now it's just always about "OK what new people can we get to." We're trying to package up with younger bands like Bring Me the Horizon or Of Mice and Men. Those bands always get talked about, because their demographic is so young. But, actually we are seeing a lot of younger people at shows which is awesome.

Punk rock really influenced me, the basic metal bands, Zeppelin, Stones and Floyd, and Southern rock bands. I think I was pretty well-rounded.

Christian musicians today, minus about ten bands, have never had to fight to be accepted or heard like general market bands have to make a living. It's just overlooked that the Christian market is safer and more lucrative, but requires musicianship that applies to the lowest common denominator.

I have been doing merch' since I was 15 and in bands when I was a teenager - silk-screening shirts, making the emulsion in my mom's closet I converted into a dark room, through college. That's essentially how us bands survived was selling homemade t-shirts.

I think you can realise that a lot of people in bands - well - I guess you kinda wanna... There's a lot less mystique in playing in a rock band today, than in the 60's or 70's. I don't think there's any bands that I can think of, that have this rock god myth that like Led Zeppelin had.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.

There's a lot of hidden gems in the UK. You sometimes have to dig deep to find them, but there's still a lot of great guitar bands out there. So, in a way it makes you appreciate it more, but then a lot of bands do go missing also.

We've been gone five years and the best they could come up with was boy bands?

Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.

Ninety percent of all music is always crap, and when too many people decide they're going to have guitar bands, then ninety percent of them are going to be crap. It's just a given law.

I'm not excited when bands strip things down. I'm not excited by the White Stripes.

I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.

I've created several musical trends, really. That's not because I'm so far out and fabulous. It's because most bands have no ideas of their own. They're so desperate they'll grab at any old straw.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

I want to be in cahoots with bands who want to make the record of their dreams.

So it was out of necessity that Blackheart was born. I think it's great that now, 25 years later, we're not only putting out our own music, but are able to put out music by other bands. That's really exciting for us.

The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name

The internet seems to be what a lot of independent bands are doing these days. They're bypassing the studio - the big studios, EMI and all the record companies - and just doing it themselves, online, selling their stuff, getting known through that medium.

Have pride and entertainment. I think that a lot bands just don't know how to do it anymore or they lost interest in it or don't care and are just cashing a paycheck.

I would urge all bands that say they only care about credibility and don't care about money to send Gene Simmons every dollar that they don't want. I'd be happy to take it off them.

I started playing guitar when I was 12 and probably from that age knew that I wanted to make music and make my own music. Playing with other bands like the Polyphonic Spree and Sufjan Stevens was more like an apprenticeship for me than anything.

I love the Arctic Monkeys . Who doesn't? I'd love to see them live, but haven't got round to it yet. I never get to see bands because I'm never in the same town for more than two seconds.

Christian music has taken a turn towards worship music, which has turned into a lot of bands and those types of sounds. That's great. God is using that stuff and it's great.

This man is freed from servile bands, Of hope to rise, or fear to fall; Lord of himself, though not of lands, And leaving nothing, yet hath all.

I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.

I think that the quality of all bands is steadily improving and it is a pleasant thought to me that perhaps the efforts of Sousa's Band have quickened that interest and improved that quality.

And for REO - they get to play for some Styx fans and then we get to play in front of some REO fans. It helps spread the new music to the following of other bands.

I listened to a lot of bands that were happening at the time, but no one in particular.

I do question a band's longevity, because most of my favorite bands only made one or two good albums. After that, I didn't care about them anymore. Sometimes I wonder if people feel the same thing about us. The way I look at it is, if we can continue to inspire ourselves and write really beautiful music that we're proud of, I don't think there's any intention to stop.

I was still doing the punk thing, but also playing in some indie bands, I had a less crazy hairstyle.

One of the first bands to break out of Seattle was Heart.

I got fed up with being in bands. I spent a couple of years touring the country in a smoked filled band, doing lots of drugs and being really unhealthy.

I believe that Fairport, in all its incarnations, has almost single-handedly been responsible for and has written the book on the history of the evolution of folk-rock in the UK. Over the years Ashley Hutchings, with his Albion Bands and Richard through his solo work have carried the torch to another level.

A lot of bands wanna do something new all the time and never repeat themselves, but I'm not so interested in that. If I feel like I can do it better the second time, I'll give it another shot.

Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting

Most bands don't even last fourteen months let alone fourteen years.

I think the big thing for Simple Plan is that we were able to keep the band members, the same five guys, the same lineup from the start. That's not easy. We grew up together. We're friends. We come from the same world. We've always had the same dreams and goals. I think we realized, as the years go by, how precious it is to have that, to build that, to see so many bands break up... it makes us realize how different we are to all that. We're really proud of that.

A lot of big labels will just sign bands like a write off.

I wasn't necessarily frustrated in Fall Out Boy, but there were things that didn't get satisfied, desires left wanting. We didn't all meet on the same kind of music. When bands break up, there are all these buzz words that get tossed around to maintain a front for the audience, but in this case there literally were creative differences.