Quotes About Drama

Humor is important for is pacing. If your whole book is just drama drama drama, it's going to wear down the reader.

I really like people who can do both drama and comedy and not some like middle of the road do both drama and comedy. I'm not talking about some guy who does these bland dramedies all the time. I'm talking about people that have done heavy drama and who have done heavy comedy.

Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.

Drama is very important in life: You have to come on with a bang. You never want to go out with a whimper. Everything can have drama if it's done right. Even a pancake.

The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.

I think people look great in black. I love that what stands out is the person, especially. Black just conveys a kind of drama, even if it can be quiet drama. It does lend to the wearer a sense of confidence.

The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.

Those who are living out the drama and the violence still need to live that out for their experience, while others of us have gone past that need - but we're still witnessing it from a distance. What the Pleiadians are saying is don't engage in drama that is not ours.

I would like to work in both comedy and drama. I'd love to do a really juicy drama that's just really real.

I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.

As for writing about temptation, there's no drama without temptation, and no novel without drama.

The Drama Years is filled with heart-stirring stories, just-been-there advice from recent teens and practical, actionable tips for parents. It's full of real girls talking about everything from stress and body image to love and materialism. Reading this book, I cringed in recognition of my own drama years, just wishing this book had been around back then and so grateful I'll have it as a guide for my own daughter.

This word "redemption," what is it about this word? Is it tangible? Do you know when it has happened? Is it necessary in a drama? Does it make a character boring? Does everyone agree on a character being "redeemed?" Or is it a word that is so subjective and polarizing and insignificant in modern television? It is a word that has been given, quite possibly, far too much significance, when it is truly ambiguous and meaningless in a drama. I have personally grown to loathe that word in literature.

I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered thing, but it's also very funny, which is simply a matter of the playwright being alive and observant and entertaining, and understanding not only the world but what will play.

The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.

Comedy has to be so much cleaner than drama. You can't layer it in the way you can a dramatic performance. Which is why it's more difficult than drama - you don't have so many tricks.

If there is no point in the universe that we discover by the methods of science, there is a point that we can give the universe by the way we live, by loving each other, by discovering things about nature, by creating works of art. And that — in a way, although we are not the stars in a cosmic drama, if the only drama we're starring in is one that we are making up as we go along, it is not entirely ignoble that faced with this unloving, impersonal universe we make a little island of warmth and love and science and art for ourselves. That's not an entirely despicable role for us to play.

As for acting, I took drama lessons when I was in high school.

A national crisis, a political convulsion, is an opportunity, a gift to the traveler. Nothing is more revealing of a place to a stranger than trouble. Even if a crisis is incomprehensible, as it usually is, it lends drama to the day and transforms the traveler into an eye witness.

Drama is the most difficult of all arts. In it two things are to be satisfied - first, the ears, and second, the eyes. To paint a scene, if one thing be painted, it is easy enough; but to paint different things and yet to keep up the central interest is very difficult. Another difficult thing is stage - management, that is, combining different things in such a manner as to keep the central interest intact.

It was in Spain that [my generation] learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own recompense. It is this, doubtless, which explains why so many, the world over, feel the Spanish drama as a personal tragedy.

Matt Bomer and I went to Carnegie Mellon for drama together.

Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.

Soaps are one of the few areas on TV that really embrace older women. In drama, there's this ridiculous invisibility for women between the ages of 40 and 60. Unless you're old enough to play a grandmother, there just aren't the roles.

Revolution is a drama of passion. We did not win the people over by appealing to reason but by developing hope, trust, fraternity.

Boarding school in Tring was a bit of a bubble that burst when I went to Hackney to go to drama school.

Filming a drama is something which you can't tear yourself away.

Paintings may not have nearly the power to convert people that the printed or spoken word has, but each man has his part to play in the human and divine drama - some persons just a few lines, others whole pages. To refuse to play one's role at all is not the answer. It is better to light one candle than to curse the darkness.

My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.

I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not?

will there ever be a drama more beautiful than that of eating?

To come to know that nothing is good, nothing is bad, is a turning point; it is a conversion. You start looking in; the outside reality loses meaning. The social reality is a fiction, a beautiful drama; you can participate in it, but then you don’t take it seriously. It is just a role to be played; play it as beautifully, as efficiently, as possible. But don’t take it seriously, it has nothing of the ultimate in it.

He who has never envied the vegetable has missed the human drama.

The magic of drama is infinitely more powerful than the magic of trickery. It is as available to the conjurer as it is to the actor. The only difference is that actors take it for granted, whereas few conjurers are even aware that it exists.

I don't think of myself as a critic or teacher either, but simply - and at the obvious risk of disingenuousness - as someone who teaches, writes drama criticism (and other things) and feels that the American compulsion to take your identity from your profession, with its corollary of only one trade to a practitioner, may be a convenience to society but is burdensome and constricting to yourself.

We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

Trump, no matter what anybody thinks of him, is interesting. And Trump, no matter what anybody thinks of him, is funny. Trump, no matter what anybody thinks of him, is different. Trump, no matter what anybody thinks of him, is drama. Trump, no matter what anybody thinks of him, is unpredictable. All of that means, you can't miss it.

You can't control what goes on around you, you can't. But for me, I think there's staples of these moments, that crazy moment where you think you're indestructible. That moment where you find out that you're not. And then that moment where all of a sudden you go, okay, I'm not indestructible but I'm gonna be okay. You have this life, and we all have these lives we live but it takes a bit of learning before you realize not every drama's going to kill you and not every hard day has to lead to another one.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

A great city is the place to escape the true drama of provincial life, and find solace in fantasy.

Each suicidal drama occurs in the mind of a unique individual.

I suppose I walk that line between comedy and cruelty because I think one illuminates the other. We're all cruel, aren't we? We are all extreme in one way or another at times and that's what drama, since the Greeks, has dealt with. I hope the overall view isn't just that though, or I've failed in my writing. There have to be moments when you glimpse something decent, something life-affirming even in the most twisted character. That's where the real art lies.

The drama bug strikes hardest with Jews, homosexuals and plump women who wear their hair in bangs. These are people who, for one reason or another, desperately crave attention

I left drama school and went straight into a 10-week film for which I was paid £75 I might say, which for 1962 was one heck of a lot of money.

... life is a comedy far darker than drama. It just takes time to learn what to smile at.

With the opening of the second decade of the twentieth century it seemed that the stage was set for the last act in an unquestioned evolutionary drama.

I'd love to do a court-room drama. I loved 'Ally McBeal.' That was one of the main reasons I went to law school.

I love action shows. I love drama. There's no one type of thing. Television has gotten so good, and there's so much to do.