Quotes About Magic

Do you hate me because I have magic?" "Of course not." "Do you love me despite my magic?" He thought a minute. "No. I love everything about you, and your magic is part of you. That was how I got past the Confessor's magic. If I had loved you despite your power, I wouldn't have been accepting you for who you are. Your magic would have destroyed me.

If they were real, then maybe the world was big enough to have magic in it. And if there was magic — even bad magic, and Zach knew it was more likely that there was bad magic than any good kind — then maybe not everyone had to have a story like his father's, a story like the kind all the adults he knew told, one about giving up and growing bitter.

I believe that magic is art, and that art, whether that be music, writing, sculpture, or any other form, is literally magic. Art is, like magic, the science of manipulating symbols, words or images, to achieve changes in consciousness… Indeed to cast a spell is simply to spell, to manipulate words, to change peoples consciousness, and this is why I believe that an artist or writer is the closest thing in the contemporary world to a shaman.

I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.

The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be.... The computer resembles the magic of legend in this respect, too. If one character, one pause, of the incantation is not strictly in proper form, the magic doesn't work. Human beings are not accustomed to being perfect, and few areas of human activity demand it. Adjusting to the requirement for perfection is, I think, the most difficult part of learning to program.

Magic is a two-way process: you use it to change yourself and in return, it changes you. Letting yourself enter a magical reality is not about creating an enclave of magic beyond your everyday life, but of allowing magic in- allowing for the intrusion of the weird, the irrational, the things you can't explain, yet are undeniably real.

As I loosen my grip on the past, as I keep taking one small step after another in the direction I want to go, I discover I'm being supported and guided after all, and that as soon as I'm willing to embrace change, something or someone comes along and shows me how. Magic wasn't something I had to go in search of; it was here within me, all the time. When hearts are open, when love is flowing, magic happens.

Normally, I do magic on the stage. But I can make magic credible and resonate through a TV screen.

I don't want realism. I'll tell you what I want. Magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth. I tell what ought to be truth. And if that is sinful, then let me be damned for it!

I used to think great teachers inspire you. Now I think I had it wrong. Good teachers inspire you; great teachers show you how to inspire yourself every day of your life. They don't show you their magic. They show you how to make magic of your own.

The magic formula is there is no magic formula.

Coastal sailing as long as it is perfectly safe and easy commands no magic. Overseas expeditions are invariably bound up with ceremonies and ritual. Man resorts to magic only where chance and circumstances are not fully controlled by knowledge.

If you could ever do a project that really has magic in it, and justifiable magic, you should do it.

All writers believe in the magic of books; Jim Hines has created a system where that magic becomes real, usable, and very definitely not always safe.

There is magic, but you have to be the magician. You have to make the magic happen.

There's a lot of magic between you too, ain't no denying that. And magic makes forgettin' hard.

We ourselves cannot put any magic spells on this world. The world is its own magic.

[Magic] can guide people to the very edge of reason - and then push them off. Thoughts collapse for a moment and the mind is free to just experience. Magic is a window to eternity.

There's some idea there, and the power of it comes from the fact that most of the time you'll never be able to answer what it is. It's just there. It's just a magic moment that you can feel in your gut that it's there, and you're willing to go there and sleep there and go through the hardship and fight for it. Once you start answering it too clearly then the magic is gone.

Perhaps society should give actors the same sort of protection it gives to those who follow a religious life. Actor/priest was originally the same job. The theater is left wing magic and theology is right wing magic.

Learn to master yourself-to understand both your fears and your desires. That's the key to magic. Then, no one shall have any hold over you. Remember... the magic (sic)... is a living thing, joined to whomever it touches and changed by them as well... You must come to know everything-even your darkest corners. Especially those...Everything has its price.

The Web is cool, but the library is magic. Where else can the spirit of generations of writers stir your soul? So many writers talk about libraries setting them on their magical paths, it's almost a groaner. But we know it's true. Wander through the stacks and you can feel the dreams, the unique worlds bubbling within each volume. The magic enters you as if by osmosis. On the Web, you may feel clever, lucky and driven to download--but rarely inspired to dream and to write.

Modern American magic, late 20th century magic, is tremendously disrespectful of the audience.

Freud thought he was bringing the plague to the U.S.A., but the U.S.A. has victoriously resisted the psychoanalytical frost by real deep freezing, by mental and sexual refrigeration. They have countered the black magic of the Unconscious with the white magic of "doing your own thing," air conditioning, sterilization, mental frigidity and the cold media of information.

For me, I was watching Gene Kelly, Fred Astaire, Orson Welles, Victor Fleming movies, and I said, "I want to tell stories like that. I want to move people like that. But I'm good at magic, so what am I going to do?" So I started using magic for the right reasons - to get the girl.

Magic Sandra’s seen a leprechaun, Eddie touched a troll, Laurie danced with witches once, Charlie found some goblins gold. Donald heard a mermaid sing, Susy spied an elf, But all the magic I have known I've had to make myself.

Magic is always impossible.... It begins with the impossible and ends with the impossible and is impossible in between. That is why it's magic.

Magic is a set of techniques and approaches which can be used to extend the limits of Achievable Reality. Our sense of Achievable Reality is the limitations which we believe bind us into a narrow range of actions and successes - what we believe to be possible for us at any one time. In this context, the purpose of magic is to simultaneously explore those boundaries and attempt to push them back - to widen the 'sphere' of possible action.

Spirit merges with matter to sanctify the universe. Matter transcends to return to spirit. The interchangeability of matter and spirit means the starlit magic of the outermost life of our universe becomes the soul-light magic of the innermost life of our self.

Magic is an exercise of a pattern of thought (sometimes represented by a gesture, ritual, or the calling of a true name) that results in manifestation/s. But these patterns of thought can have so much to do with whimsy that magic often is jokes.

The alchemist was dazed and dumbfounded, as the true meaning of the magic was revealed: *The dead will rise from glade to glen and ancient will be young again*. The dead had, after all, risen. From dead and dry things there was growth, and new life everywhere. And the endlessly long winter had at last turned to spring. From life to death and back again to life. It was indeed the greatest magic in the world.

To make magic credible on screen is always very difficult. The story is the most important thing. That is what should win. If sacrifices or compromises are made, it's usually for story. Story in magic is very, very important to me. That's what I've really championed through my career.

I came to magic absolutely hating magic on a very, very deep level.

A lot of people will think I changed the book: ‘so you’re the tiger instead, you’re the tiger who ate the cook.’ That’d be totally expository, like in the book, ‘you’re the tiger’ and then it stops there. That seems to have the magic touch. I bring everything together. That’s why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, ‘God, it’s so hard to do.’ I make movies for a long time. It doesn't get easier.

If you go back back a few hundred years, what we take for granted today would seem like magic - being able to talk to people over long distances, to transmit images, flying, accessing vast amounts of data like an oracle. These are all things that would have been considered magic a few hundred years ago.

Names are still magic; even Sharon, Karen, Darren, and Warren are magic to somebody somewhere. In fairy stories, naming is knowledge. When I know your name, I can call your name, and when I call your name, you'll come to me.

Now as to magic. It is surely absurd to hold me "weak" or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life...If I had not made magic my constant study I could not have written a single word of my Blake book, nor would The Countess Kathleen have ever come to exist. The mystical life is the center of all that I do and all that I think and all that I write.

Creative arts, new inventions, and new ideas spring from those blessed with imagination, and magic stimulates imagination. It is no coincidence that many artists, writers, and dancers are interested in magic.

The bolder the action, the greater the genius, magic and power that is likely to flow from it.

Keep thinking, keep interested, keep praying, keep dreaming. Be mentally sensitive at all times so that the magic word that motivates you may one day speak to your deep inner self.

My understanding of magic is fairly straightforward. Hit enemies with a sword until they’re dead. If they rise again, hit them again. Repeat as necessary. It worked against Set.

You can call it nostalgia, I don't mind Standing on that windswept hillside Listening to the church bells chime Listen to the church bells chime In that magic time.

I like the idea of movies having a magic element. How many times have you seen an actor in a movie who you know only as the character? It's wonderful, isn't it?

I wanted something new, the supernatural. The witch, the sorcerer, I love this. I love the films of the witch and sorcerers and magic, its wonderful!

You can keep yourself alive. That's the magic of being an actor.

Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation. It's been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.

And I think of nothing. I think of nothing but Rachel. What happens next is pure magic, and is for us and us alone.

The Orlando Magic were so bad last season, the cheerleaders stayed home and phoned in their cheers.