Quotes About Magic

God is alive. Magic is afoot. God is alive. Magic is afoot. God is afoot. Magic is alive. Alive is afoot. Magic never died. God never sickened. Many poor men lied. Many sick men lied. Magic never weakened. Magic never hid. Magic always ruled. God is afoot. God was ruler though his funeral lengthened. Though his mourners thickened Magic never fled.

There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs

I’m warning you, stay back! This sword has magic.' 'Magic!' the dragon gasped in mock fright. It put a claw to its breast. 'Oh, please, brave man, don’t slay me with your magic sword!

Magic is a two-way process: you use it to change yourself and in return, it changes you. Letting yourself enter a magical reality is not about creating an enclave of magic beyond your everyday life, but of allowing magic in- allowing for the intrusion of the weird, the irrational, the things you can't explain, yet are undeniably real.

Coastal sailing as long as it is perfectly safe and easy commands no magic. Overseas expeditions are invariably bound up with ceremonies and ritual. Man resorts to magic only where chance and circumstances are not fully controlled by knowledge.

I have always believed in the magic of childhood and think that if you get your life right that magic should never end. I feel that if adults cannot enjoy a children’s book properly there is something wrong with either the book or the adult reading it. This of course, is just a smart way of saying I don't want to grow up.

What's interesting about the wizarding world is when you take physical strength out of the equation, a woman can do magic just as powerfully as a man can do magic. A woman can fight just the same as a man.

For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.

I loved magic, and so I would practice my magic tricks in front of a mirror for hours and hours and hours because I was told that you must practice, you must practice and never present a trick before it's ready.

Black Girl Magic is a radiant revolution against misogynoir - misogyny directed towards Black women and internalized hatred. Black women are subject to so many societal messages that tell them they are not beautiful, smart, or capable. Black Girl Magic is the conscious unraveling of those toxic concepts through self-love and acceptance. It preaches that despite the pressures I face, I glow more than ever before.

Magic exists. Who can doubt it, when there are rainbows and wildflowers, the music of the wind and the silence of the stars? Anyone who has loved has been touched by magic. It is such a simple and such an extraordinary part of the lives we live.

Egypt is the First Nome. New York is the twenty-first. What’s the last one, the Three-hundred-and-sixtieth?” “That would be Antarctica,” Zia said. “A punishment assignment. Nothing there but a couple of cold magicians and some magic penguins.” “Magic penguins?” “Don’t ask.

Love can be magic. But magic can sometimes... just be an illusion.

And I knew that there was some dark corner of me that would enjoy using magic for killing—and then long for more. That was black magic, and it was easy to use. Easy and fun. Like Legos

Freud thought he was bringing the plague to the U.S.A., but the U.S.A. has victoriously resisted the psychoanalytical frost by real deep freezing, by mental and sexual refrigeration. They have countered the black magic of the Unconscious with the white magic of "doing your own thing," air conditioning, sterilization, mental frigidity and the cold media of information.

Alistair Crowley used to define magic as anything in which you can exercise your will in the world through the use of your mind. So what's the magical way of opening or closing that door? Well, to will your body to stand up and close or open that door, that's magic. With the iPhone, it's like you put your intent into it, and it helps you exercise that intent in the world.

My experience in work, even going to work with Scorsese, is that people always think there's some magic trick. There's no magic trick. The people who are really good at what they do do simple things really, really well.

The purely formal language of geometry describes adequately the reality of space. We might say, in this sense, that geometry is successful magic. I should like to state a converse: is not all magic, to the extent that it is successful, geometry?

This is a wonderful book, unique and engaging. Diaconis and Graham manage to convey the awe and marvels of mathematics, and of magic tricks, especially those that depend fundamentally on mathematical ideas. They range over many delicious topics, giving us an enchanting personal view of the history and practice of magic, of mathematics, and of the fascinating connection between the two cultures. Magical Mathematics will have an utterly devoted readership.

Magic is an exercise of a pattern of thought (sometimes represented by a gesture, ritual, or the calling of a true name) that results in manifestation/s. But these patterns of thought can have so much to do with whimsy that magic often is jokes.

The alchemist was dazed and dumbfounded, as the true meaning of the magic was revealed: *The dead will rise from glade to glen and ancient will be young again*. The dead had, after all, risen. From dead and dry things there was growth, and new life everywhere. And the endlessly long winter had at last turned to spring. From life to death and back again to life. It was indeed the greatest magic in the world.

That's what I don't like about magic, it does everything by magic!

I'm like that person who hates going to magic shows - and I love magic, I love wizards - but going to a show where there is any possibility of audience participation is a nightmare for me.

When Pixies broke up in 1993, I gave up the drums for the longest time. I hadn't been doing a lot, but I ended up attending a magic convention that initially got me interested. I took classes, bought videos, and practiced relentlessly. I began performing at parties and soon realized that developing an on-stage routine is often tougher than being a musician. I focused my act on magic that incorporated as much science as it did entertainment, which was really satisfying for me.

I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.

Where there is a woman there is magic. If there is a moon falling from her mouth, she is a woman who knows her magic, who can share or not share her powers. A woman with a moon falling from her mouth, roses between her legs and tiaras of Spanish moss, this woman is a consort of the spirits.

My idea of magic doesn't have much to do with stage tricks and illusions. The whole world abounds in magic.

Names are still magic; even Sharon, Karen, Darren, and Warren are magic to somebody somewhere. In fairy stories, naming is knowledge. When I know your name, I can call your name, and when I call your name, you'll come to me.

For example, John Law's Mississippi Company venture printed shares, and the money had gone up in smoke when it had been inscribed objects. The inscription made it magic and changed its meaning. That's how objects become charmed in The Arabian Nights, and they are often originally ordinary objects. The carpet is an ordinary, paltry object. The lamp is a rusty old lamp, and the bottles jinns are imprisoned within are old bottles. They are changed by the magic and the jinn's presence, and the jinn's presence is often embodied in the seal or inscription.

Creative arts, new inventions, and new ideas spring from those blessed with imagination, and magic stimulates imagination. It is no coincidence that many artists, writers, and dancers are interested in magic.

The magic of life, of course, is not something that can be explained. Structures can only take us to the point where they begin or end. Beyond structures is the white light.

We're all Americans trying to compete. Magic was competing for his team and Larry for his team.

Here's one more from my limited experience with all 3 fields: A writer creates life; a poet creates magic from life; a philosopher tries to understand life.

People don't understand that that's really what it is. They're looking for a magic phone number or something. And to a certain extent, I understand that, because comedy is treated so much as a stepping stone by a lot of people.

You thought I was that type: that you could forget me, and that I'd plead and weep and throw myself under the hooves of a bay mare, or that I'd ask the sorcerers for some magic potion made from roots and send you a terrible gift: my precious perfumed handkerchief. Damn you! I will not grant your cursed soul vicarious tears or a single glance. And I swear to you by the garden of the angels, I swear by the miracle-working ikon, and by the fire and smoke of our nights: I will never come back to you.

To be free. Such a thing would be greater than all the magic and all the treasures in all the world.

Performing magic has a lot to do with the arrangement of apparent coincidences and providing pathways along which desires can travel, or, to put it in more basic terms, there's little point in sigilizing for a lottery win if you don't also buy a lottery ticket.

A brilliant idea doesn't guarantee a successful invention. Real magic comes from a brilliant idea combined with willpower, tenacity, and a willingness to make mistakes.

There is no magic to achievement. It's really about hard work, choices, and persistence.

When companies get bigger they try to replicate their success. But they assume their magic came from process. They try to use processes to substitute content.

The world used to think we are a land of snake charmers and black magic. But our youth has surprised the world with its IT [information technology] skills. I dream of a digital India.

Some say no evil thing that walks by night, In fog or fire, by lake or moorish fen, Blue meagre hag, or stubborn unlaid ghost That breaks his magic chains at curfew time, No goblin, or swart fairy of the mine, Hath hurtful power o'er true virginity.

You've used up all your school sick days," he said, persuing my file. "You've requested to leave school one hundred and thirty days out of the one hudred and forty days of school so far." So thirty-one might be the magic number?" Principal Reed and Raven

For the most part, any serious magic show is not using very much technology newer than theatrical lights.

Where there is a woman there is magic.

I'm not interested in the being the next indie hipster scene or in how skinny my jeans can be. That's not my thing. I'm interested in arenas. That was the magic of the music I grew up listening to. Being a rocknroll front man is all I've ever wanted since I was 10 years old. I give it everything I have.

When I was growing up, all the women in my house were using needles. I've always had a fascination with the needle, the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness. It is never aggressive, it's not a pin.

When we read about Creation in Genesis, we run the risk of imagining God was a magician, with a magic wand able to do everything. But that is not so. He created human beings and let them develop according to the internal laws that he gave to each one so they would reach their fulfillment.