What I remember best from those times is the music itself. When it succeded, we took hold of the audience's attention, working it from a distracted, unshaped mass into spun beauty, passing the fine strands back and forth until we wove together something grander, not only music but memory, too-the particulars of past and present, stretched taut across a loom of timeless ideals. Harmony. Symmetry. Order.

What I remember best from those times is the music itself. When it succeded, we took hold of the audience's attention, working it from a distracted, unshaped mass into spun beauty, passing the fine strands back and forth until we wove together something grander, not only music but memory, too-the particulars of past and present, stretched taut across a loom of timeless ideals. Harmony. Symmetry. Order.

Magical, yes, but THE SNOW CHILD is also satisfyingly realistic in its depiction of 1920s homestead-era Alaska and the people who settled there, including an older couple bound together by resilient love. Eowyn Ivey's poignant debut novel grabbed me from the very first pages and made me wish we had more genre-defying Alaska novels like this one. Inspired by a fairy tale, it nonetheless contains more depth and truth than so many books set in this land of extremes.