I think my favorite scenes [in Night Music] are the ones that kind of happen when the handsome Englishman shows up.. He doesn't quite figure out she is from the 1920s because he doesn't really figure out she is a ghost, because she has manifested into physical form.

I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.

You know when you are doing a movie like [Ted Bundy] you try to as much as you can keep it upbeat when you are not working on the scene, so you cannot totally get disgusted and lost in it and also from my point of view I was ignorant to it all what was kind of going on.

[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.

My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.

There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.

If you are going to ask me what I watch on TV, I would probably have to say the majority of it is stuff on SyFy or Discovery Channel or it's about ghost seekers.