I haven't been one since I did a film called (coughs) Encino Man (laughing). After two or three runs with Pauly Shore, I had enough. Watching this film in 3D as far as rollercoasters go really fills it for me.

Horrible things happen, but were they horrible? No, they were just circumstances of the world.

I was molded, spent my time underneath a lot of goo. And then the bits and pieces were sculpted. It took probably 10 days to create each character after all those camera tests.

To swing or not to swing? Swing.

When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.

You can't see any movie nowadays really without it having some sort of CGI treatment, albeit whether it's a creature or an environment, something like that. To make a point, sort of poetically in that case, but clearly it was a drama and how do you approach it? Well, I think what you're supposed to do is what the text dictates. What you bring to it and everything you need to know should be there, and pay attention to your director.

All you have to do is just believe in what's there; then, the audience will, too.