The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.

For me, I believe that just seeing women be strong and tough is not answering the question of what a female hero looks like. Women have their own set of skills that are worth exploring and seeing on screen.

It [the film industry] is not a glamorous industry. It's really, really hard, and you get told all the time, "You're not this, you're not that," and so you have to find a center.

Lately, I've been getting too much attention with the Met Gala and work going so well that I try to find rejection in my day. I'll seek out someone on the street or at the farmers' market and ask for something where I know they'll say no. No one likes rejection, but it's real. And I don't want to lose that feeling.

There is beauty in living in a small space, as a child. Some aspects of it are so beautiful, and it's so nice to not see the darkness. But then, in other ways, there's a whole range of experience that's being missed because of it.

I'm sure that there's frustration that comes with wanting to just have a normal mom. But, I don't really know if they see it as any different than any other problem you might have with a parent. I think everybody can think about one thing that their parents used to do, all the time, that would embarrass you.

I was 3 when I told my mom that I knew what my dharma was and that I wanted to be an actor.