I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.

No revolution without sexual revolution. No sexual revolution without homosexual revolution.

My films often have a very strong strain of irony, or even sarcasm, which is definitely related to homosexual camp. But it is by no means straightforward: quite often I am sincere when I appear to be sarcastic, and I am sarcastic when I appear to be sincere. I also try to contradict myself at least once a day, which is a camp must.

I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.

There is a tendency under capitalism system to reduce everything to a kind of commodity fetish, and this order tends to promote extremely conventional and uniform expressions of gender and sexuality in order to promote certain products and lifestyle choices that are commercialized. This necessarily entails a capitulation to heteronormativity, or in the case of the new gay movement, a "homonormativity" that doesn't stray far from the heterosexual paradigm. Anyone who questions these normative values and conventions is subject to disapproval, hostility, or even violence.

Heterosexuality is the opiate of the masses

One thing I try to do with my work is to show that people who have extreme fetishes or who exist outside the constraints of "normal" society still have romantic impulses and are capable of love and tenderness. Sometimes people cannot or don't want to acknowledge that pornographers are people too!