I like to just keep the land within sight. Nowadays they can tell you if there's a storm three days out. So it's not much of a concern. But I've never been a big boat person. I don't spend a lot of time at sea.

I love getting ready to do a scene, and thinking about it, and talking about it. But the rest of the time, I'm so nervous and obsessed. I'm just tearing my hair out in the trailer. The whole time I'm really tense.

My family would be supportive if I said I wanted to be a Martian, wear only banana skins, make love to ashtrays, and eat tree bark.

Definitely, my approach is me-oriented. I feel like my job is to safeguard the believability of the emotions of the character.

A movie's very different from the book, and it's different from the script, and it's usually one person's vision.

I read the book and I think, "Well, this is the movie we're going to make," and then someone else reads it, and they take a completely different movie from it. And both are valid.

When a performance isn't working, it's usually because the actor is trying to do something and they're not able to express their idea very well. It's a muddled expression.