What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.

I don't want to do action that doesn't mean anything. Everything I do I want to have character development and three-dimensional characters, fallible humans, and this is definitely one of them.

You stay with the foundation and then you just try different things because you don't know how the director will cut it and you want to give him, what will work, and you want to give him some options, give yourself some options, discover some things when you start to play. That's what we do; we get paid to play.

I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.

First of all, God inspires me, where he's brought me, it blows my mind. To know that He brought me this far, it could not have been an accident, to go forward, I'm excited to leap into the void, I'm excited about tomorrow, the unknown, excited to see what else He has for me.

I've learned that I can't do it all at once. So, you have to figure out your angle of attack. Coming in on the acting front, acting is a passion of mine. It's a true love. Dancing, I kind of just fell into. Choreographing, the same thing. But making films, producing and directing, that's the heartbeat of my existence.

With films, you completely immerse yourself in a character, get into who they are, live it and then release it.