Half of me is this wacked-out comedienne who will do anything for a buck and a laugh. Well, at least for a laugh. But the other half is a lot darker, sadder and more pensive. It's the dark side that feeds the outrageousness and allows it to surface. I think that's true for anyone with comic flair.

Usually I like playing other people. I like finding myself through other characters. But when you do cabaret, you are yourself. I think it's the most fun, and I tell you, if somebody had told me that, I would have done it fifteen years earlier than I did.

I'm from the South, so I tend to tell stories. That's how we express ourselves.

My happiest times in the theater are when I do ensemble pieces. I really got into theater because of that closeness.

I know I always had a lot of energy growing up and I had to put it somewhere. Theater allowed me to really feel things, to laugh, to cry, to explode outward. I could do anything and it was totally accepted and appreciated. If I hadn't gone into the theater, I probably would have been a psychotic killer.

I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.

I never like to be the same, whether it be comedy or drama, funny or serious.