It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.

Sometimes you can just tell there's something unique about it, but you can never really truly tell until you show it to a third party - you show it to you friends, or you show it to people you know that know about music like my label or those kinda people.

Once you make something you think it's awesome, but it's only after you listen to it for a few weeks then you actually get a proper perspective on it.

When it's your own thing there's a lot more pressure to make it awesome, since these people bought tickets specifically for you. Whereas at the festivals, you're one of many acts on a bill so I find it's less pressure.

I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.

What's funny for me is that I made a lot of the music I make with intentions of it being a song you listen to, to chill out.

It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.