Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music.

I may be prejudiced, but I believe that jazz music has the strongest healing potential, and it's not just because I play it and love it so much. I feel that it's the improvisation in jazz that makes it so strong as a healing tool, what each individual gives to a tune from their heart and their soul when they take a solo. It's all spontaneous, and it's all love, and from the heart.

Jazz is not background music. You must concentrate in order to get the most out of it. You must absorb it.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.

They didn't dictate to me as to what kind of music that they wanted me to play or what tunes, what musicians that I was going to use. They let me do my thing. That's one reason I stayed there for twenty-eight years.

Musical composition should bring happiness and joy to people and make them forget their troubles.

The ensemble playing is as clean as a whistle. The band plays in tune and with dynamics. Also, there is some fine arranging and orchestrating going on here, and the soloists perform at top level.