Lion Babe, on a work day, is definitely a process. I obviously could do it by myself, but I definitely prefer not to. It's a lot of hair. I used to start with little pieces, and then it just got bigger, and bigger, and bigger.

I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.

I think just being a '90s kid - I was not a Backstreet Boys girl, I was definitely into NSYNC.

Back then, it's weird, because I wasn't consciously thinking about it and I think that's why the doors opened and I had the opportunity. It was a big shift and I realized that you can plan and think your life is going somewhere, but you also have to surrender to what opportunities present themselves and really go for those as well.

My mom is one, but there have been performers in my family since as long as we can trace them back, so I think it was kind of inevitable to be artistic and to have a force. We're leaders; we're a family of leaders, so I think it's just part of my genes.

The people that have inspired me the most were dancers and choreographers.

Half of my family is in Los Angeles, so my cousin was the first person to play me, like, Snoop Dogg, and I would always feel like 'Omg I shouldn't be listening to this,' and my other cousin was the first to introduce me to Aaliyah, so every time I'd go to the West Coast, I'd get those West Coast vibes.