I don`t know the facts surrounding Andrew Jarecki`s work. I think it`s a triumph of television. But it does raise troubling issues that I think we as a documentary community, you know, need to address.

Any documentary; any capturing of a non-fiction event, is a hyper-realistic condensation of reality that hopefully reveals an emotional truth. It's never the actual literal truth of an event.

I mean, "The Jinx" is an amazing piece of cinema and amazing television moment, it`s rare documentarians can feel the direct impact of their work.

If a concert film is an experience of the musicianship without critiquing it, then this, too, is dropping you into a world and letting you experience it.

I like to blow up stereotypes, like taking the icons of metal, the epitome of male testosterone and showing them as regular people.

Chevron has wrapped itself in some pretty good arguments that make you scratch your head. The moral responsibility is certainly at its door. I leave it to other people to figure out whether there's legal responsibility.

I actually have come to believe that if people were more connected to their fellow human beings, if we all felt more centred and fulfilled in our lives, maybe we would be pointing our cameras at a lot less social ills.