The Bahamas is a small population. But it plays a lot bigger than the population suggests. You feel close to everything. Everything that happens in the wider world happens here. Like migration issues. Or refugee issues. Or homophobia.

I know where the people are and I know how talented people are. Sometimes they aren't given opportunities because people come with their own biases about what Bahamians can do, especially if they're foreign productions.

I think I want the best for my country. I can make work that makes us examine some truths about ourselves - that would be more of a contribution. That's how I see it.

The best part of writing is thinking about the story. And then everything else takes a lot of discipline.

I think that people always get what they deserve - whether you're around to see it or not.

I thought back to a childhood memory: the first dead body I'd ever seen was the body of an immigrant washed up on shore. I went back to that memory. As a child, you can't process these types of images in a healthy way. I don't think anyone can, really. So I explored that. These people were buried in mass graves. I don't know if their families ever heard from them again.

I made Children of God because I had to make it. And with Cargo, I also felt like I had to. The impulse comes from something deep inside. Wanting to my country to be better. Because of where we are, we don't always have spaces to reflect.