The anorexic is the fuse nakedly exposed to the direct power of modern media, a psyche whose wiring has no insulation. The anorexic is an analog to the ideologue, who is likewise devoid of common sense, independent ego, culture, intuitive intelligence, etc.: all the ideologue has to orient himself by is the formalist or abstractivist directives inlaid in modern mass-culture. Both are forms of the True Believer, minds in whom factors of self-active life are reduced to negligibility and pathos reigns.
Kenny SmithModern value-neutral society (Gesellschaft rather than Gemeinschaft) is systematized predation tempered not by conscience or values but rather merely by a system of law, which is no less corrupt with private interests and its own forms of predation. In modernity sophism is the order of the day, and this obliges its most adept practitioners to learn how to develop the art of appearing to be other than one actually is.
Kenny SmithInstant enlightenment. A quintessential modernism, culture and religion accommodated to the age of fast food and bumper stickers. But psyche and spirit are not so exempt from the natural domain that they can simply produce self-change instantaneously, on demand. Wisdom precipitates through a notoriously slow apparatus of retorts and flasks, and it has to find receptive ground only in a properly seasoned mind.
Kenny SmithTerence: nihil humanum alienum a me-"nothing human is alien to me," the greatest expression of ancient megalopsychia or great-souled and cosmopolitan "magnanimity."
Kenny SmithWisdom is the aristic craving for extraordinary insights, for incandescent revelations that have the power to burst through banausic and doulic ordinariness: wisdom is the lust to be transfigured, transvaluated.
Kenny SmithThis same formula by which Buddhists so anti-rationalistically and anti-banausically describe the "relation" between soul and body also applies to the relation between lover and lover, parent and child, member and community.
Kenny SmithMisfortune occurs or can occur to anyone, of any sort of character. The eudaimonic has more resources to avoid it (being in autonomous control of his appetites and assumptions) and more resources to deal with it if it occurs (being better able to put it in perspective and maintain his own evenness of self-mastery). Tragedy as a dramatic form is meant to foster the ethos of sophrosyne or moderation, "nothing to excess"; it nurtures a sense of distance from the dominant illusions and delusions that may infect even aristoi.
Kenny Smith