In early 1999, I was watching TV, when I came across a story on Afghanistan. It was a story about the Taliban and the restrictions they were imposing on the Afghan people, most notably women. At some point in the story, there was a casual reference to them having banned the game of kite fighting. This detail struck a personal chord with me, as I had grown up in Kabul flying kite with my friends.
Khaled HosseiniMariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.
Khaled HosseiniThere [in The Kite Runner] certainly are, as is always the case with fiction, autobiographical elements woven through the narrative.
Khaled HosseiniWhat was I supposed to be, growing in your womb -- assuming it was even in our womb that I was conceived? A seed of hope? A ticket purchased to ferry you from the dark? A patch for that hole you carried in your heart? If so, then I wasn't enough. I wasn't nearly enough. I was no balm to your pain, only another dead end, another burden, and you must have seen that early on. You must have realized it. But what could you do? You couldn't go down to the pawnshop and sell me.
Khaled Hosseini