I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

I have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.

India's notoriously difficult. It's visa routine is notoriously difficult to get a residency permit and all that stuff, so that threw up all kinds of complicated barriers for us. I remember once having to go meet with the foreign ministry official and say 'You know look I have a real problem here. Is this person really important to you?' And I just thought 'My God.' You know my wife and I have been together since college. You know it's 20 years.

To me we're living in this very profoundly non-idealogical time where the real divide is between people who have power and people who either don't have power or feel that they don't have power.

Anything that I'm doing I think I always come at it from an outsider perspective. The first like real front page story that I had for the Times was about how after decades of battles over public restrooms in New York City, effectively chain stores had become the public restroom of choice for New Yorkers, it's sort of a silly little thing, but coming as an outsider, I was like 'Oh this is actually really interesting.'

For us what we're trying to do is find the right balance of creating a space for emotion that leads to a sense of empathy and solidarity rather than a sense of division. In my most grandiose moments I think of HuffPost as a platform that makes solidarity possible, that really thinking about the emotional content of stories is a way to help people who think, or who have been manipulated to think, that they're interests are opposed to one another, that they actually are aligned in a fundamental way and they're actually in the same boat.

I was educated in a deeply kind of un-politically-correct way. I went to St. John's College which is this kind of Great Books school which is equally popular with hardcore conservatives who want their kids to read the Great White Men canon and sort of free-thinking liberals like my parents.