My friends and family always thought I was pretty funny, but I don't know if they thought I was get-my-own-show funny.

In real life, you care about other people, but at the end of the day you're like, "I'm acting upon whatever it is that I want or need."

My first concert isn't that cool or ironic. I wish it had been like, "My first concert was the Backstreet Boys," but the first concert I went to, I think, was this band called The Samples.

The thing that's the biggest bummer about any live show is a hot, sober room. So if it's during the day and people are a little buzzed, great.

The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.

I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

There's nothing better for hosting a show than a bunch of people daytime-whiskey drunk.