There was a point a few years ago where I realized I started out playing boys on camera and stage, and then I translated that to playing boys in animated shows. I was like, "Whoa, this is intense."

In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.

I'm not really a person who loves things that are surreal or not grounded in real life or reality. I like that - I want to find something that I can relate to and then maybe do a little bit more and embellish.

Everybody hates you when youre the best, and everybody hates you when youre the worst.

I was able to draw a lot from my own childhood, my friends' childhoods as well and my daughters' friends who are like my children as well. They multiply all the time. So you can have everything and say I can get all this done and then late at night one of your kids have a freak out about school or an assignment you end up staying up til 3 in morning helping them through it. Or somebody gets sick or has a crisis.

There was a point a few years ago where I realized I started out playing boys on camera and stage, and then I translated that to playing boys in animated shows. I was like, "Whoa, this is intense."