I just write about what I feel I want to write about. I'm like a kid. I get an idea, and it's like a kid's toy that you push and tug around the room. It's fun, it's bright, it's pretty and maybe it'll go clack-clack or whiz-whiz, whatever it happens to do. I like to make believe.
Stephen KingAndy Dufresne: 'That's the beauty of music. They can't get that from you...haven't you ever felt that way about music?' Red: 'I played a mean harmonica as a younger man. Lost interest in it though. Didn't make much sense in here.' Andy: 'Here's where it makes the most sense. You need it so you don't forget.' Red: 'Forget?' Andy: 'Forget that...there are places in this world that aren't made out of stone. That there's something inside...that they can't get to, that they can't touch. That's yours.' Red: 'What're you talking about?' Andy: 'Hope.'
Stephen KingMust you write complete sentences each time, every time? Perish the thought. If your work consists only of fragments and floating clauses, the Grammar Police aren't going to come and take you away. Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language. "It is an old observation," he writes, "that the best writers sometimes disregard the rules of rhetoric." Yet he goes on to add this thought, which I urge you to consider: "Unless he is certain of doing well, [the writer] will probably do best to follow the rules."
Stephen King