If I had my brothers I think with just a little bit of the correct marketing, I'd like to be almost exclusively in small theaters. You know, to me it's like a church for music. You can sit down and really give yourself to the performance and be comfortable with good surroundings and a clean, quiet atmosphere.

You don't know where you're going.

I'm happy doing what I do. That's ok. Some guy could appear tomorrow and do it much better than me, and so be it, but right now I'm just happy to be who I am doing what I do.

You have to study composition to understand that things can be done backwards and forwards and upside down, inverted, but it's mainly just an inner valid intuitive thing. Where do you want to go? Ok this is busy, or this needs some space, or this is too much space so now I want to put more notes in there or something. It's all about contrast. High, low. Fast, slow, thick or thin or what have you. And it's the same with improvisation.

People YouTube me and crap and then, they probably don't want to see me after seeing a friendly posted YouTube video, so I'm constantly having to take those down.

There are things I've kept over the years and then someday I might pull up a program of some tune that I've done and I go "Wow, I know what to do with this now".

If you enjoy learning, if you enjoy the curiosity of music and what can be done with it, and stop looking at it as something you have to do because someone says this is what you have to do to be a professional, you know, learn it because you're curious about it and then I think you'll have a much better creative sense and enable this inner voice to come out. These things are not taught and are not encouraged.