Compared to men writers of like distinction and years of life, few women writers have had lives of unbroken productivity, or leave behind a 'body of work.' Early beginnings, then silence; or clogged late ones (foreground silences); long periods between books (hidden silences); characterize most of us.

The clock talked loud. I threw it away, it scared me what it talked.

Every woman who writes is a survivor.

Literary history and the present are dark with silences . . . I have had special need to learn all I could of this over the years, myself so nearly remaining mute and having to let writing die over and over again in me. These are not natural silences--what Keats called agonie ennuyeuse (the tedious agony)--that necessary time for renewal, lying fallow, gestation, in the natural cycle of creation. The silences I speak of here are unnatural: the unnatural thwarting of what struggles to come into being, but cannot.

Think about all that we've lost that has been said orally because nobody was taking it down. I feel very fortunate to live in a time where we have so many different voices. We have a much richer literature than we've ever had, and we can know America so much better.

Not to have an audience is a kind of death.

Literature is a place for generosity and affection and hunger for equals - not a prizefight ring. We are increased, confirmed in our medium, roused to do our best, by every good writer, every fine achievement. Would we want one good writer or fine book less? The sense of writers being pitted against each other is bred primarily by the workings of the commercial marketplace, and by critics lauding one writer at the expense of another while ignoring the existence of nearly all.