Quotes About Commercial

As a matter of fact 25% of our U.S. investment banking business comes out of our commercial bank. So it's a competitive advantage for both the investment bank - which gets a huge volume of business - and the commercial bank because the commercial bank can walk into a company and say, "Oh, if you need X, Y and Z in Japan or China, we can do that for you."

There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.

I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.

When we got married, we knew our honeymoon was going to be public, anyway, so we decided to use it to make a statement. We sat in bed and talked to reporters for seven days. It was hilarious. In effect, we were doing a commercial for peace on the front page of the papers instead of a commercial for war.

Literary men are being employed to praise a big business man personally, as men used to praise a king. They not only find political reasons for the commercial schemes that they have done for some time past they also find moral defences for the commercial schemers... I do resent the whole age of patronage being revived under such absurd patrons; and all poets becoming court poets, under kings that have taken no oath.

But if anyone supposes that there was no commercial fraud in the Middle Ages, let him study the commercial legislation of England for that period, and his mind will be satisfied, if he has a mind to be satisfied and not only a fancy to run away with him.

I would never become a big, big model in the commercial sense because I was such a type; you couldn't use me in everything.

The present combination of corporate or commercial control theoretically answerable to politically appointed Boards of Governors is not in any sense a democratic enough procedure to control the power the broadcasters have.

For some reason, everyone says "fashion is responsible for skinny models." I don't believe that myself. I believe consumers dictate commercial success and trends in a capitalistic society. So I believe if consumers wanted to see - like, who decided that Barney the Dinosaur was going to be a million-dollar industry?

Obviously the commercial news media tries to get you worked up and terrified so you'll buy products that they're advertising.

I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films. I didn't make that money necessarily from the film business, but I eventually made a lot of money and that's what I do. Of course, I consider myself unbelievably fortunate, and I'm pretty content with my life.

This is so weird. I saw the new John Kerry campaign commercial and he says, 'I'm John Kerry and I approve of this message - if I have one.'

Many young web designers view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all. Design communicates on every level. It tells you where you are, cues you to what you can do, and facilitates the doing. Style is tautological; it communicates stylishness. In visual terms, style is an aspect of design; in commercial terms, style can communicate brand attributes.

The outlook of the world today is for the greatest era of commercial expansion in history. The rest of the world will become better customers.

I seriously hate pop music and all things super-commercial, so I'd be hard pressed to feel embarrassed by anything I listen to. Besides, I have a three-year-old, so I don't have time for guilty pleasures anyway!

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

JPMorgan was already, for the most part. Our businesses at JPMorgan share the same cash-management systems. The commercial bank, the private bank, the retail bank, they all use the branches. The cash-management system moves the money around the world - for global corporations, and for you, the consumer, too.

I was able to work with two heads. If anything, doing ads and other commercial work were at least exercises in discipline.

[He died of thirst?] That sounds, if I might say, like the greatest Sprite commercial ever.

With space travel, [it's] no different. You know, in 1990 I read the name Virgin Galactic Airways. Loved the name. And set out to try to find an engineer or rocket scientist in the world who could build a safe, reusable rocket that could take people to and from space and we could start a whole new era of commercial space travel.

I think the commercial culture, and also science and technology after all, which gives us greater ease but also makes it harder for us to sit with the small amounts of distress that come just by living itself. It isn't that we're chasing happiness; I think we have the wrong model of happiness. I mean, defined as eudaimonia, defined as a values-based life of integrity and fidelity to yourself and what you most deeply want to stand for, that definition of happiness - man, that's the kind of life I want to live and I think that will support people and sustain people.

I would hate to have "Holiday in Cambodia" become as tiresome to other people as hearing "Like a Rock" in a Chevrolet commercial.

This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion

And yet there are many times when it does not make any difference what pattern one uses. One thing is certain. The more bedraggled the fly gets the better the trout like it. I think there is a reason for this. I think the bedraggled half worn out wet fly more closely imitates a nymph than a new one does. Most commercial flies are tied too bushy and full. A little trimming of wings and thinning out of hackles will often work wonders.

It is amazing how little effort most people make to improve control of their attention. If reading a book seems too difficult, instead of sharpening concentration we tend to set it aside and instead turn on the television, which not only requires minimal attention, but in fact tends to diffuse what little it commands with choppy editing, commercial interruptions, and generally inane content.

I don't hold it against Dizzy [Gillespie], you know, but if a guy wants to play a certain way, you work towards that. If he stops - he's full of crap, you know. I mean, I wouldn't do it, for no money, or for no place in the white man's world. Not just to make money, because then you don't have anything. You don't have as much money as whoever you're trying to ape; that's making money by being commercial. Then you don't have anything to give the world; so you're not important. You might as well be dead.

One thing that struck me about going to those tech conferences was all the enthusiasm for free culture, and remixing, and social media, but people's greatest ambition was to be sponsored by Chipotle or something equivalent to that. It was this weird mix of collaborative, utopian claims and this total acquiescence to commercial imperatives.

Commercial rock 'n' roll music is a brutalization of the stream of contemporary Negro church music an obscene looting of a cultural expression.

Rather than simply interrupting a television show with a commercial or barging into the consumer’s life with an unannounced phone call or letter, tomorrow’s marketer will first try to gain the consumer’s consent to participate in the selling process.

It is not to be disguised, that a war has broken out between the North and the South. - Political and commercial men are industriously striving to restore peace: but the peace, which they would effect, is superficial, false, and temporary.

The commercial for Diet Dr. Pepper says it tastes just like regular Dr. Pepper. Well, then they screwed up!

I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.

Every McDonald's commercial ends the same way: Prices and participation may vary. I wanna open a McDonald's and not participate in anything. I wanna be a stubborn McDonald's owner. "Cheeseburgers?" "Nope! We got spaghetti, and blankets."

I've had the same friends I've always had. I mean, I've lost a few over the years. Hate to use the word "success," but I don't know what else to say, but some people are more affected by that than others. I've had the same core group of friends that I've always had. We're surfing, so that definitely keeps you grounded. Just when I think I'm cool because we're playing these massive shows or having some sort of commercial success, I can always be reminded how small I am when I try to surf a wave that's a little bit out of my league, and I just get pummeled.

We live in oppressive times. We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder ‘censorship,’ we call it ‘concern for commercial viability.

Life in Anaheim, California, was a commercial for itself, endlessly replayed. Nothing changed; it just spread out farther and farther in the form of neon ooze. What there was always more of had been congealed into permanence long ago, as if the automatic factory that cranked out these objects had jammed in the on position.

The only artist who does not deserve respect is the one who works to please the public, for commercial success or for official success.

...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms.

So my resolution this year is: I'm not a money guy, but I want to make our next product a commercial success, so that people will say, 'Hey, there's a huge market out there. If you make a high-quality games that can touch people, it's going to do great business.

I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.

Marriage had certain commercial advantages. By it the man secures the exclusive right to the woman's body and by it, the woman binds the man to support her during the rest of her life.... A more disgraceful bargain was never struck.

I can be accused of trying to be commercial sometimes.

Christine O'Donnell released a commercial in which she says, 'I'm not a witch.' That's pretty good, though not as effective as her opponent's slogan, 'I'm not Christine O'Donnell.'

I once took on the role of the Batman for a commercial about equal pay for women.

I think all of us, looking back on our careers and our lives, there'll probably be a "road not taken" that we'll regret and mourn. Certainly, artists will always feel that way, especially when the path taken was more commercial than the one not taken.

One of the obvious things that went wrong with Multics as a commercial success was just that it was sort of over-engineered in a sense. There was just too much in it.

For years, computer scientists were treating operating systems design as sort of an open-reserch issue, when the field's direction had been decided by commercial operations. Computer science has become completely cut off from reality.

I think you have to satisfy yourself first and foremost. There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them. If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60. I don't know, that's a commercial thing, but just the fact that other people like you... there's no point in making music, otherwise. Otherwise you might as well make it in your bedroom and leave it there.