Quotes About Draw

Observe Everything. Communicate Well. Draw, Draw, Draw.

[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.

There's no such thing as an open draw. At least for me - I mean, obviously for Roger Federer, I think every draw feels open for him - but for me there's no such thing as an open draw

We should draw on our story, we should draw on our history. If we don't know who we are, if we don't know how we became what we are, we're going to start suffering from all the obvious detrimental effects of amnesia.

Men feel challenged when a woman is in danger, so those types of stories interest women and they interest men on a level that the crimes against men tend to draw a different visceral reaction. Again, not saying it's right, but they tend to draw a different visceral reaction, which is that the man was out in the world doing men stuff and something happened to him.

"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words.

I can not help it; as I draw near to you, you, in your turn will draw near to others, and learn the rapture of that cruelty, which yet is love; so, for a while, seek to know no more of me and mine, but trust me with all your loving spirit.

Every poet has a certain amount of "stuff." That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.

Don't worry about how you 'should' draw it. Just draw it the way you see it.

I'm an artist and I can draw very well. I'm amazed that everybody can't draw well because I can do it so effortlessly.

My contribution to the world is my ability to draw. I will draw as much as I can for as many people as I can for as long as I can.

Meta-design is much more difficult than design; it's easier to draw something than to explain how to draw it.

If the presence of God is in the church, the church will draw the world in. If the presence of God is not in the church, the world will draw the church out.

If you're stuck in a painting, then stop and draw something else. Draw a flower and put your love into that flower. Then your powers will come back again.

As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.

My mom always said that she didn't wear a red nose and big shoes because that's the reason people are scared of clowns. My dad is a sociology teacher, so he probably figured that out with her. Those are the things that are exaggerated, that don't give off the signals of humans. You know, if you draw a picture of a circle and ask somebody to feel empathy with the circle, they won't. But if you draw literally two, three dots inside the circle, like two eyes and a nose, you immediately feel empathy.

There is one god, greatest among gods and men, who bears no similarity to humans either in shape or thought... but humans believe that the gods are born like themselves, and that the gods wear clothes and have bodies like humans and speak in the same way... but if cows and horses or lions had hands or could draw with the hands and manufacture the things humans can make, then horses would draw the forms of gods like horses, cows like cows, and they would make the gods' bodies resemble those which each kind of animal had itself.

I became an animal painter because I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that.

If you're going to draw a comic strip every day, you're going to have to draw on every experience in your life.

Respecting other people's cultures is well and good, but I draw the line at where some branches of Islam, what they do to women. It's indefensible.

If I was in love with someone, I would get their picture out of the school yearbook and do portraits. If I was curious about sex, I would draw pictures of it. There were no books for me to look at. Then I would go find my father's matches to burn the paper.

Yeah, it is, because it's a real discovery of your inner resources, you know. That's what my character is all about and what my playing is all about. But to get up there and just go inside and draw out something that makes you feel good first and foremost.

When there is no love, pour in love and you shall draw out love.

I’ve been lucky, so lucky, working with [...] Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.

The maxims of Christian life, which should draw upon the truths of the Gospel, are always partially symbolic of the mind and temperament of those who teach them to us. The former, by their natural sweetness, show us the quality of God's mercy; the latter, by their harshness, show us God's justice.

At a fundamental level, as human beings, we are all the same; each one of us aspires to happiness and each one of us does not wish to suffer. This is why, whenever I have the opportunity, I try to draw people's attention to what as members of the human family we have in common and the deeply interconnected nature of our existence and welfare.

When the going got tough, I really had to draw on many of the same competitive instincts I did when I was skating. I really had to put my head down and stay positive. I had to fight.

I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose.

People confuse the word cynicism with the word skepticism. One is “you’re not gonna pay attention to anything, think everything’s screwed up, nothing’s ever gonna work out right”, that’s cynicism. But skepticism is, “you’re presented with evidence and you do your best to draw conclusions based on that”. So, as the saying goes, Bill Nye, do you believe in ghosts? No. However, I would love to see one. Bring it on. I’m open minded to the idea, but the more I look into it in a skeptical frame of thinking, the less likely it seems.

What is essential is to draw the energy of love from your heart and bring it into your mind, as San Exubere said: "it is only with the heart that one sees rightly. What is essential is invisible to the eye."

You draw on your own childhood every time you tee it up as an actor.

Texas is a country in its own. It's made up of half Mexico/half United States but completed mixed. I don't mean to draw a generalization but it is a place, a territory, that's really made up of all these encounters, you know?

I don't have a seller's remorse about how I've lived. I am cognizant of what I have done, and any of us could maybe draw the line better. But I've tried to live pretty fearlessly.

Honestly, it's the luck of the draw. If you are comfortable with the actor that you're opposite of - it just breaks down a lot of those insecurities and you can just say, "Okay, I trust this person, and I respect them and know they respect me," and then you can just go with it. When that doesn't exist, it's a lot harder to let go.

There is another side [to ego] that can wreck a team or an organization. That is being distracted by your own importance. It can come from your insecurity in working with others. It can be the need to draw attention to yourself in the public arena. It can be a feeling that others are a threat to your own territory. These are all negative manifestations of ego, and if you are not alert to them, you get diverted and your work becomes diffused. Ego in these cases makes people insensitive to how they work with others and it ends up interfering with the real goal of any group efforts.

Maybe I could have been good as a drawer if I had done it as much as I did writing, but it's more scary to draw. It's more revealing. You can't disguise yourself in drawing.

One of the jobs of a writer is to add nuance and ambiguity to that straight line that people often draw to very specific kinds of heroism. Most of us don't get to be Snooki. For most of us heroism has to be in our everyday lives.

When making your ass, always draw the shape of Africa. Or as Latrice would say, the homeland.

Listen before you draw your battle lines, lest you alienate your allies.

The days draw out, the weather gets warmer, and it's what we call summer, with a bitter laugh when we've said it.

When a man keeps beating me to the draw mentally, he begins to get glamorous.

When you draw a nude, sketch the whole figure and nicely fit the members to it and to each other. Even though you may only finish one portion of the drawing, just make certain that all the parts hang together, so that the study will be useful to you in the future.

I love to teach, I love to draw, I love animals. So I don't feel like I am relying on one thing to lead me in my career.

We may draw good out of evil; we must not do evil, that good may come.

There are men who would do anything, asleep, and I'm not sure what stops them when they wake. I do not know how they draw the line.

The best thing is to draw men and women from the nude and thus fix in the memory by constant exercise the muscles of the torso, back, legs, arms and knees, with bones underneath.

But even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight — matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one’s own time. A wall of books is a wall of windows.

You will draw to yourself that which you most persistently think about