Quotes About Page

The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.

The bigger the budget, the more people that you have to coordinate and it's not easy to do that always because, not only do people have trouble communicating in that way, but often there are internal disagreements and everybody is not necessarily on the same page. Even in a big-budget movie with famous actors and directors, everybody could be on a completely different page. The director has to figure out a way of getting everybody on the same page, more or less, and keeping them there.

We [with Frank Moore Cross] have the same fervor, the same passion when in front of us is a page, a unique page - every page is unique - of the Pentateuch.

Every page of content you've created could be the first interaction with your web site.Think of every page as a home page.

You never know how diverse your career can be. I think it's wonderful. My life has always been the next page, not the last page.

On the plane was a Time magazine and there was a 30 page article on diabetes, and I read every page. By the time that plane landed, I had diabetes.

Nous ne pouvons arracher une seule page de notre vie, mais nous pouvons jeter le livre au feu. We cannot tear out a single page from our life, but we can throw the entire book in the fire.

On the first page of the Bible there is an instance of how literalism is but an invitation to transcend the image to which literalism points. That first page is not geology, biology or paleontology; it is high religion. For there we are told who we are in terms of our constititutive text. And if we could understand that, we would worrying about whether the antelopes or the cantaloupes came in a certain order.

The true felicity of a lover of books is the luxurious turning of page by page, the surrender, not meanly abject, but deliberate and cautious, with your wits about you, as you deliver yourself into the keeping of the book. This I call reading.

I wanted to pull down a book, open it proper, and gobble up page after page

WIDE, the margin between carte blanche and the white page. Nevertheless it is not in the margin that you can find me, but in the yet whiter one that separates the word-strewn sheet from the transparent, the written page from the one to be written in the infinite space where the eye turns back to the eye, and the hand to the pen, where all we write is erased, even as you write it. For the book imperceptibly takes shape within the book we will never finish. There is my desert.

Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.

I saw the comics in the East Village Other, and they weren't superhero comics, they were all about hippies and all about things hippies were interested in. And there was one page in particular, a full page strip called "Gentle's Trip Out" signed "Panzika", and it was totally, totally psychedelic, and really, I don't know if it made any sense at all but it looked so great, and I thought, "This is what I want to do, this is my big influence," and it was.

For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.

Reading asks that you bring your whole life experience and your ability to decode the written word and your creative imagination to the page and be a co-author with the writer, because the story is just squiggles on the page unless you have a reader.

You have to design a story that might appear on the front page of the newspaper for the website. You don't have to design it in such a way that it can be self contained, that it makes sense if you never hit the front page of it.

In the age of social media and dating apps, so many people are able to hide behind their Instagram page or their Raya page or Facebook.

Tomorrow is the first blank page of a 365-page book. Write a good one.

It may sound very strange, but I love the freedom that writing a novel gives me. It is an unhindered experience. If I come after a bad day, I can decide that my protagonist will die on page 100 of my novel in a 350-page story.

The book, as it stands, seems to me to be one of the most frightful muddles I have ever read, with scarcely a sound proposition in it beginning with page 45 [Hayek provided historical background up to page 45; after that came his theoretical model], and yet it remains a book of some interest, which is likely to leave its mark on the mind of the reader. It is an extraordinary example of how, starting with a mistake, a remorseless logician can end up in bedlam.

Write every day, line by line, page by page, hour by hour. Do this despite fear. For above all else, beyond imagination and skill, what the world asks of you is courage, courage to risk rejection, ridicule and failure. As you follow the quest for stories told with meaning and beauty, study thoughtfully but write boldly. Then, like the hero of the fable, your dance will dazzle the world.

I mentioned Ellen Page on Twitter in a tweet. It was like, "I met Ellen Page last night and she's so beautiful and lovely!" So then we started talking.

There's no excuse therefore, for a 1,152 page book. I think we should all be using 300-page paperbacks. These exist.

The printed page was like wine to me.

If journalism is the first draft of history, then digital literacy is the first blush of the first page of history.

Some guys can do digital things where they make some tricks work, but I work on paper and I work with washes. You can't just change things afterwards. You have to get it right on the page.

If an idea seems to find its way towards a stage setting, that's the direction I take. I don't know if I'm trying to achieve anything other than to follow an idea on to the page.

The Never Trumpers, they have never been guided by or governed by the premise that Hillary Clinton needs to lose. If they were on the same page as we all are, that the country, that our country needs for Hillary Clinton and the Obama agenda to lose and be stopped, they don't see that. They never have.

My best times are midnight to six actually. I'll leaf through my notebooks and if something catches my eye and I feel like I want to transfer it from the notebook to the page, I do, and then comes this very strange process which is difficult to describe in that I'll write until I get stuck or I can't go any further or I'm boring myself or whatever and then I might go to another poem.

We have about three hours of homework a night, and our evening study period is only two hours, so if you want to spend the break at half-past-nine not freaking out, you have to cram. I'm not sure that the picture of the wide-eyed zombie girl biting out the brains of senior douchebag James Page is part of Sam's homework, bit if it is, his physics teacher is awesome.

My experiences always influence my writing, but usually only on an emotional level. I have experienced death of a family member and it's easy to dredge up those feelings and get them on the page.

So here they are, the dog-faced soldiers, the regulars, the fifty-cents-a-day professionals riding the outposts of the nation, from Fort Reno to Fort Apache, from Sheridan to Stark. They were all the same. Men in dirty-shirt blue and only a cold page in the history books to mark their passing. But wherever they rode and whatever they fought for, that place became the United States.

When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.

I've seen Leonardo Da Vinci notebooks which are filled with tiny, messy scrawls written in mirror image across the page. I'd love to know how he kept all his projects going at once.

I still get up every morning at 4 A.M. I write seven days a week, including Christmas. And I still face a blank page every morning, and my characters don't really care how many books I've sold.

I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.

I find it interesting that people often seem to believe that authors of realistic fiction are directly translating their personal experiences into their work. The fact is that telling a story is a transformative experience. There is rarely a one-to-one translation onto the page unless you're writing memoir, and even then, memory is unreliable. I think that the best books feel emotionally true, and that truth has to be rooted in real-world experience.

I had to get some things right in my personal life. And once I got my family on the same page, to understand who I am and what I do for a living, I asked my oldest daughter, 'What do you think about Daddy coming back?' And she said, 'I didn't think you were done. I want you to win the Super Bowl.'

Nothing I've worked on has been asked this much of me to put it on the page [like Paper Girls].

He was intrigued by the power of words, not the literary words that filled the books in the library but the sharp, staccato words that went into the writing of news stories. Words that went for the jugular. Active verbs that danced and raced on the page.

Winning is about having the whole team on the same page.

I want you to be afraid to turn the page (and to do that) you need to show right from the beginning that you're playing for keeps.

I remember the excruciating school task of writing a three-page term paper. But, oh, that feeling when I was done! I think I drive myself for that feeling of accomplishment.

People might be surprised to know how much I throw away. For every page I publish, I throw 10 pages away.

Indians were here first - it's about time. We're way behind the African Americans and Hispanic Americans in getting politically involved, but we're beginning to take a page out of their notebook.

A thank-you can be just as meaningful as a soulful ten-page message.

The New York Times published a full-page hit piece with another claim from an individual who has been totally discredited based on the many many emails and letters she has sent to our office over the years looking for work. The New York Times refused to use the evidence that we presented. If they used it, if they would have looked, they would have said, there's no story here.

I suppose every old scholar has had the experience of reading something in a book which was significant to him, but which he could never find again. Sure he is that he read it there, but no one else ever read it, nor can he find it again, though he buy the book and ransack every page.