Quotes About Romantic

I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.

So many women today have become so focused on their children, they've developed these romantic entanglements with their children's lives, and the husbands are secondary. They're left out. And the romantic focus is on the children.

She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.

Unlike typical romantic comedies, Definitely Maybe is not formulaic or predictable and it spans a decade while being set against a political background. Also, the audience doesn't know who ends up with who until the very end, which makes it a sort of "romantic mystery comedy".

The great irony is that women are accused of making romantic comedies, as if it’s a bad thing, but Marc Webb makes a romantic comedy and he gets ‘Spider-Man.’ Are you kidding me? You cannot win.

Suddenly, this romantic agony was enriched by a less romantic one: I had to go to the bathroom. Needless to say, I couldn't let her know about this urge, for great lovers never did such things. The answer to "Romeo Romeo, wherefore art thou, Romeo?" was not "In the men's room, Julie.

I'm very much a romantic. I'm highly attuned to an older sensibility, which I believe is alive and well. We're not that far ahead of the Romantic Age in society.

Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willingness to submit to her own annihilation.... The proof of love is that she is willing to be destroyed by the one whom she loves, for his sake. For the woman, love is always self-sacrifice, the sacrifice of identity, will, and bodily integrity, in order to fulfill and redeem the masculinity of her lover.

In the romantic sense, I'm pretty useless with guys. If I see somebody who I'm attracted to, generally I just think, 'Oh well, he's not interested in me.' The only time that I talk to guys is when they talk to me first.

The single sculler, alone on the river at dawn, or spotlighted in his lane during a race, is th emost romantic, the most quixotic figure in all rowing.

I'm a romantic; you have to be to marry four times.

Is that why you hate me?" I ask. "Partly," She admits. "Jealousy is certainly involved. I also think you're a little hard to swallow. With your tacky romantic drama and your defender-of-the-helpless act. Only it isn't an act, which makes you more unbearable. Please feel free to take this personally.

But I didn't know about the other story." "What other story?” "About how you and Adrian Ivashkov are—" "No, whatever you heard it’s not true." "But it was really romantic" "Then it’s definitely not true.

I have a really strong suspicion of the romantic nature of portraiture, the idea that you're telling some essential truth about the interior lives of your subject.

There's a coffin in the back of the church as the wedding is going on ... Look, I'm a romantic. I like marriage...In the movies.

i get a little romantic about the old Empire State. Just looking at it makes me want to play some Frank Sinatra tunes and sway a little. I have a crush on a building. I'd been in there several times but never to work. I always knew there were offices in there but the face never penetrated, really. You don't work in the Empire State Building. You propose in the Empire State Building. You sneak a flask up there and raise a toast to the whole city of New York.

I think a sense of humor is a very personal thing, and I don't know if I am talented enough to do romantic comedies.

Over the course of my life I've had more than my fair share of romantic relationships with wonderful women, many moved on to live happy, healthy, and productive lives, and I'm pleased to say remain dear friends today. Sadly, there are a few who have chosen to rewrite history in an attempt to stay in the spotlight. I guess, as the old saying goes: You can't win 'em all!

If only Sam could have stayed just like the Dog, she thought. A comforting friend without the complication of romantic interest.There had to be something she could do to completely discourage him, short of throwing up, or making herself totally unattractive. "I'm thirty-five," she said at last.

If Michelle Pfeiffer gave Mel Gibson a vial of blood to wear around his neck in a movie you'd think it was terribly romantic, everyone would cry and they'd win awards. But in real life if someone does that they'd be considered weird.

All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part.

I'm romantic. I fall in love every day. Not with people but with situations. The other day, I saw a tramp polishing his shoes. That just gripped my heart.

When young people are too rigidly sequestered from [the world], their lively and romantic imaginations paint it to them as a paradise of which they have been beguiled; but when they are shown it properly, and in due time, they see it such as it really is, equally shared by pain and pleasure, hope and disappointment.

If I were given a choice between two films and one was dark and explored depraved, troubled or sick aspects of our culture, I would always opt for that over the next romantic comedy.

My landscapes are not only beautiful, or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all 'untruthful.' By 'untruthful,' I mean the glorifying way we look at Nature. Nature, which in all its forms is always against us, because it knows no meaning, no pity, no sympathy, because it knows nothing and is absolutely mindless, the total antithesis of ourselves.

The paradox of romantic love -- that what one possesses, one can no longer desire -- was at work.

People want to hear about the extremes of human nature. They want things that are larger than their own lives, and more romantic, and not necessarily of their own experiences.

In spite of its romantic frisson, the position of muse is very vague and largely thankless for the muse herself.

I am a romantic, I admit it.

I'm getting a lot of uninteresting romantic lead guys that look good and fall in love sort of garbage.

I broke my nose in gym when a ball hit me. I took a girl to her debutante ball the next week wearing a tux and a big, honking bandage. Not the romantic night she had in mind.

We love to entertain audiences and this picture does that - it's romantic, it's funny, it's got a nice message and I think it's a gift to the audience to be able to enjoy this movie.

I'm a complete romantic - it's why I always get married. Someone should really stop me.

We have forced everyone to go into marriage because of love. Because you cannot love outside it, so we have unnecessarily forced love and marriage to be together - unnecessarily. Marriage is for deeper things - even more deep: for intimacy, for a "co-inherence," to work on something which cannot be done alone, which can be done together, which needs a togetherness, a deep togetherness. Because of this love-starved society, we fall into marriage out of romantic love.

I was working as a journalist for an Israeli paper in Paris, and my salary at the highest was fifty dollars a month. At the end of the month I always had palpitations; I didn't know how to pay my rent. Even after the war, I was often hungry. But that's part of the romantic condition of a student. To be a student in Paris and not be hungry is wrong.

I would love to do a sweeping romantic period drama, like Jane Eyre. That would be my dream. It's always been my dream, as far as acting.

Classical and romantic: private language of a family quarrel, a dead dispute over the distribution of emphasis between man and nature.

If you were to say to me that you needed a romantic and sentimental song in four hours, I would have that song written in four hours.

I was the female lead in a romantic comedy. It's a little indie film that we shot in China called 'America Town,' starring Daniel Henney and Bill Paxton. I actually had to speak Chinese in the film. It was funny because I found out I was doing the film and then a week later, I was in Shanghai.

To be robbed and betrayed by a fiendish underground conspiracy, or by the earthly agents of Satan, is at least a romantic sort of plight - it suggests at least a grand Hollywood-ready confrontation between good and evil - but to be coldly ripped off over and over again by a bunch of bloodless, second-rate schmoes, schmoes you chose, you elected, is not something anyone will take much pleasure in bragging about.

Cassini is different -- it's a mission of enormous scope and is being conducted in grand style. It is much more sophisticated than Voyager, ... I can't say it's got that flavor of romance, though. Voyager was very romantic. Cassini is spectacular.

I think that taking night trains or meeting someone on the road is pretty romantic. I've done a couple of things like that. I've surprised someone in Paris. And hopefully, when you surprise someone, they're happy to see you.

The amount of speculation surrounding my romantic life is astounding. It's strange how involved people get: invested and angry, really disappointed.

They say the first love's most important. That's very romantic, but not my experience.

Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.

Chivalry - ...a romantic idealism closely related to Christianity, which makes honor the guiding principle of conduct. Connected with this is the ancient concept of the gentleman.

Farming, from an outside perspective, can be viewed as a romantic, free and off-the-grid life, but the constant work of it means a routine you must follow or everyone dies.

To return to love, to get the love we always wanted but never had, to have the love we want but are not prepared to give, we seek romantic relationships. We believe these relationships, more than any other, will rescue and redeem us. True love does have the power to redeem but only if we are ready for redemption. Love saves us only if we want to be saved.