Quotes About Audition

I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.

When you audition for things, there's pressure to go in there with a complete performance, and it's kind of unfair because, if you get it, you'll have rehearsal and talk about it, and you'll have plenty of time with the script. So, for me, I really do feel like an audition is a sketch of what you might do.

See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.

I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."

You have to have talent. You have to get the audition and then you have to nail the audition.

I find the worst audition is the no audition.

I got some pilot scripts and auditioned for a couple other ones, too. It was just a standard audition, where I kept going in to read and went up the ladder, in terms of people who you're performing for during those auditions. Each step of the way, I was happy with that level of audition.

In between shooting for Awake, I was attempting to have my own pilot season. The audition for Anger Management actually came during a week that I was already testing for a couple other shows and we werent really letting any other shows into the mix.

The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.

It can't be overstated how wonderful it is not to have to audition any more. Any actor will tell you, it's like Christmas.

I'd been doing some light-beer commercials for Budweiser and Coors, and I was doing stand-up comedy. I wanted to get into the acting world, and my agent sent me on audition and they liked it.

My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.

Being an actor is definitely not about sitting around on set and having a cigarette or something. It's about acting. The more you can audition, then that's the best thing ever because you learn so much and you get your face out there and you grow your confidence.

A lot of people who wanted to audition for Idol have asked me: “What should I do?” or “How to I prepare myself?” I always told them: “Just go in and believe in yourself.”

So the only things I was being allowed to audition for were small roles in comedies. It broke my heart. No one would see me for anything else. I knew, in order to open up my career, I had to leave or that's all I would ever be given.

Cheerleading was my way in. It was one of the most rigorous audition processes ever. It definitely groomed me for Hollywood.

If you ask any actor "What single thing would make you really, really happy?" Among the top five things they'd say is not having to audition anymore.

I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.

Every audition that I walk out of where I think I nailed it, I never get that job, ever.

For every successful actor or actress, there are countless numbers who don't make it. The name of the game is rejection. You go to an audition and you're told you're too tall or you're too Irish or your nose is not quite right. You're rejected for your education, you're rejected for this or that and it's really tough.

I went through the natural process that most actors go through. I brought myself out here, had an audition on a Wednesday; then had a call-back on Thursday, had a call-back on Friday and I had it by Friday afternoon.

I was discovered on the Sony lot through an audition by Denzel Washington.

I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.

Certain roles, I just won't invest in. I'll go in and audition, but I might not spend five hours trying to figure out what the character is really about or go so deep into it. I might just learn the lines and go in and try my best because I know it's not safe for me to love the character or to fall in love with the idea of the role.

Coffee is cheap, drinks are an audition, lunch is an interview, but dinner means business; the business of romance.

I didn't want to do 'Casino Royale' when they told me to audition. I said no. Then they sent me the script, and I thought it was actually very interesting - and I had no other work at the time.

Had an audition for a pilot today, but realized I could save gas and help the environment by pissing up a rope here at home!

There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.

When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.

Occasionally I will audition for a big overseas movie, but that's it.

Don't chew gum at an audition and wear really bad clothes. That doesn't work. You need to hear that! You need to hear practical advice.

If I said to most of the people who auditioned, 'Good job, awesome, well done,' it would have made me actually look and feel ridiculous. It's quite obvious most of the people who turned up for this audition were hopeless.

I saw Ben Whishaw playing Hamlet at the Old Vic and straight away had a very strong sense that he might be the end of a very, very long road of searching for the right guy. He did an amazing audition, where it all came across this, instinctive feeling that he obviously had for the character in the Perfume: The Story Of A Murderer.

I went to ballet school for nine years, and there was an agent for the whole school who happened to be there visiting one of the performances. She suggested an audition.

There are challenges in life, and it was a great challenge to have [became a member of Judas Preist]. The situation I was getting into, I knew what it stood for to me and to millions of people around the world. You get an opportunity like that, a chance to audition, you've got to do it. It worked out.

A friend told me about the casting notice for 'Queer Eye.' I was in Chicago and I had a contract with 'Esquire' magazine, so had been coming to New York City regularly and thought I'd catch a cheap flight, crash on a friend's sofa and do this hilarious audition that I had no chance of winning.

I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.

In L.A., I'm twice the size - height and everything else - of most of the other actresses who are going for an audition.