Quotes About City

Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.

On numerous visits to Manhattan, I have found myself poking around the city trying to find a moment of quiet and once located a hint of it in Central Park during a windless, late-night snowfall. There I stood absolutely still in the lemon glow of the city, a sky full of snow. The city still roared from all sides, a thousand noises compressed down to just one. I counted that distant, mild roar as quiet, a welcome relief from the more pressing noises of the daytime city.

It is a tough city to live in (Detroit) but a great city to be around. There is so much promise. There just needs to be a movement to help push the city beyond the automobile industry. The music business needs to learn how to support itself.

I believe the challenge the city faces is attracting continued development into the inner and western part of Jersey City. Nobody should be left behind as Jersey City continues to prosper and grow.

I walked down Paseo del Prado, losing myself to the sights, sounds, and dense magic of the city. There's something weirdly calming about being alone in a big city. It made me feel like the universe was hugely generous, and that my species was so damn smart to have constructed such a beautiful city.

Scapegoating worked in practice while it still had religious powers behind it. You loaded the sins of the city on to the goat’s back and drove it out, and the city was cleansed. It worked because everyone knew how to read the ritual, including the gods. Then the gods died, and all of a sudden you had to cleanse the city without divine help. Real actions were demanded instead of symbolism The censor was born, in the Roman sense. Watchfulness became the watchword: the watchfulness of all over all. Purgation was replaced by the purge.

There is such a cool vibe in Nashville. It is has the excitement of a big city, but also has this amazing small town feel. I have definitely come to call it my home, and have my favorite go-to spots. But most of all it's the people. The southern charm, and hospitality. And some great shopping never hurts. As fun as Music City is during the day, the real magic happens at night ... The lights, the energy, the music, how could you not love this town?

We don't understand what photography is doing. We don't understand the power of its rhetoric. We don't understand why the Provoke photographers showed Tokyo city as a ghastly and alien city when it was really going through this period of mega-capitalist growth. It's a very, very, very powerful force, the photograph. People ask me why it has such an ability to captivate us. And I just don't know.

[On New York City:] Were all America like this fair city, and all, no, only a small proportion of its population like the friends we left there, I should say that the land was the fairest in the world.

But for now, the future, like the past, means nothing. For now, there is only a homestead built of trash and scraps, at the edge of a broken city, just beyond a towering city dump; and our arrival-hungry, and half-frozen, to a place of food and water and walls that keep out the brutal winds. This, for us, is heaven.

We've actually seen Black man murders [in] many a major city in the United States - New York City, St. Louis, Missouri, from Cleveland to Baltimore. It was those sorts of incidents that were very much prevalent in the forefront of that jury's conscience that allowed them to believe that this man [O.J. Simpson] could have been set up.

In order for once to get a glimpse of our European morality from a distance, in order to compare it with other earlier or future moralities, one must do as the traveller who wants to know the height of the towers of a city: he leaves the city.

Once I passed through a populous city imprinting my brain for future use with its shows, architecture, customs, traditions, Yet now of all that city I remember only a woman I Casually met there who detained me for love of me, Day by day and night by night we were together—all else Has long been forgotten by me, I remember I say only that woman who passionately clung To me, Again we wander, we love, we separate again, Again she holds me by the hand, I must not go, I see her close beside me with silent lips sad and tremulous.

My ideal city is more like the city (New York and Paris come to mind, but it sort of applies to all) that existed up to and including the 1930s, when different classes lived all together in the same neighborhoods, and most businesses of any sort were mom-and-pop, and people and things had a local identity.

Norwich is a fine city. None finer. If there is another city in the United Kingdom with a school of painters named after it, a matchless modern art gallery, a university with a reputation for literary excellence which can boast Booker Prize-winning alumni, one of the grandest Romanesque cathedrals in the world, and an extraordinary new state-of-the-art library then I have yet to hear of it.

People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city.

You just let your lower self go, and then it takes on all these aspects of the society - the city with horns blowing, the people yelling things at each other, and the all-in-all violence and chaos of the city. Put that on stage with music, and that's what this is.

Mumbai may not be my city. But it is my kind of city.

I am sure everyone here has noticed a city where they felt at home, or a city that had “bad vibes.”

A city without books, a city without a library is like a graveyard.

An unspeakable tragedy, confirmed to us by ABC News in New York City: John Lennon, outside of his apartment building on the West Side of New York City, the most famous, perhaps, of all the Beatles, shot twice in the back, rushed to Roosevelt Hospital, dead on arrival. Hard to go back to the game after that news flash, which in duty bound, we have to take.

Every Democrat, like every American, should support a woman's right to make her own choices about her body and her health. That is not negotiable and should not change city by city or state by state.

In Sweeden every city looks the same. I've been to sixteen cities, and every single city is the same! The same cobblestone, the same McDonalds, the same everything. Everything was designed by the same guy. They must have saved a lot of money when they designed all the cities.

This is the fairest picture on our planet, the most enchanting to look upon, the most satisfying to the eye and spirit. To see the sun sink down, drowned in his pink and purple and golden floods, and overwhelm Florence with tides of color that make all the sharp lines dim and faint and turn the solid city to a city of dreams, is a sight to stir the coldest nature, and make a sympathetic one drunk with ecstasy.

The city?" Tyrion was lost. "What city would that be?" "King's Landing. I am sending you to court." It was the last thing Tyrion Lannister would ever have anticipated. He reached for his wine, considered for a moment as he sipped. "And what am I to do there?" "Rule," his father said curtly.

I don't think there's a city that has done more and sustained a higher level of security and protection than New York City.

I am tired of fighting state by state, county by county, city by city, for fractions of equality. I am tired of compromises and I am tired of the strategy that divides us from each other. It is time for us to unite across state boundaries in a truly nationwide movement to win full, actual equality, which can only come from the federal government. That's not my opinion. That's a fact.

I was in Mexico City. It's a very pleasant city in many ways. It's vibrant, lively, pretty exciting society, but also depressing in other ways, and sometimes almost hopeless, you know. So it's a combination of vibrancy and, I wouldn't say despair, but hopelessness, you know. Doesn't have to be, but it is. I mean, there is almost no economy.

You have city centre pubs where men go to meet girls, not realising that all girls in city centre pubs have thighs like tug boats and morals that would surprise a zoo animal.

Being on the road, because you do so much waiting and so much traveling. It's not the same thing as being in the same city for a week or two weeks and then another city. It's really hard. I don't think people understand this about being a touring musician, or a touring actor, or somebody who flies everywhere for business. It's incredibly disorienting.

I have always thought, "If the city cannot come to the country, then the country must come to the city."

I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.

The feeling of New Orleans is so pervasive. It's such a strange and decadent and enchanted embrace that that city has. There's a dark magic present. It's no wonder that it's been the hot bed for so much vampiric folklore. The city has got an ancient quality. It's one of the oldest cities in North America.

London is a great city full of amazing people from all backgrounds and when Londoners face adversity, we always pull together. We stand up for our values. And we show the world. We are the greatest city in the world.

As you withdraw energy from the city, you are also giving energy back. People are noticing you. You're doing something, you're there, the species around you absorb your presence into it, and you become part of this animate entity called the city.

I love the city. I love the energy of New York and what happens here. But I'm very happy I don't live in the city on a daily basis, because I really do spend a great deal of my time, when I'm not on the road, in my studio - everyday, everyday, everyday.

City people live the city. We live in L.A., New York, we live in places where it's chaotic and you never know what's gonna happen. And that's the music - you never know what's gonna happen.

The VIP area, which is geared to live entertainment, is a black-lit stage with a neon painting resembling New York City on the walls. It's supposed to resemble New York City, ... Look, we even have the Twin Towers on there.

Chicago's downtown seems to me to constitute, all in all, the best-looking twentieth-century city, the city where contemporary technique has best been matched by artistry, intelligence, and comparatively moderated greed. No doubt about it, if style were the one gauge, Chicago would be among the greatest of all the cities of the world.

As I holed up in the City of Angels, I was also aware of a comforting feeling of anonymity. In the world's biggest third-class city I could pass unnoticed. I spoke the language. I was familiar with the currency. I could drink the water. I could almost breathe the air, late April air, compounded of interesting hydrocarbons.

When you walk 25-30 feet above ground, it is a miracle, because you are still in the city ... but you are flying above the city. You are in the middle of trees, and that is a moment of beauty.

'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.

I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.

It's a weapon. I don't want to defund a state, a city.I don't want to defund anyone. I want to give them the money they need to properly operate as a city or state. If they're going to have sanctuary cities, we may have to do that. Certainly that would be a weapon.

I do, but I don't like doing that. I would do it out of hate or anger. I would do it because some- one was pushing my buttons, but really I don't want to break my back in some European city while everyone else is drinking espresso. I only do it because someone refused to pay for the shipping, or something like that. I don't want to let a whole city of people down.

I was born and raised in Dallas, Texas and seasonally lived in New Orleans and Boston. Given that this was all at a tender age, I imagine I was very impressionable. I was a kid that was always moving, city to city, school to school. I adapted easily wherever I was, I knew how to blend.

Some of the hardest-working and most productive people in this city are undocumented aliens. If you come here and you work hard and you happen to be in an undocumented status, you're one of the people who we want in this city. You're somebody that we want to protect, and we want you to get out from under what is often a life of being like a fugitive, which is really unfair.

Not to find one's way in a city may well be uninteresting and banal. It requires ignorance - nothing more. But to lose oneself in a city - as one loses oneself in a forest - that calls for a quite different schooling. Then, signboard and street names, passers-by, roofs, kiosks, or bars must speak to the wanderer like a cracking twig under his feet in the forest.