The idea of discussing psychological and philosophical ideas in a visual medium was really exciting to me. I thought I was going to go into philosophy...and suddenly I found this way to combine that with my love for visual mediums.

Pick up a camera and start shooting. You need to wade in in order to figure out how to move forward and do something concrete. I firmly believe that a lot dynamic and revolutionary work flows from those who summon all of their personal energy and just go out and make something.

What I remember about being painted was a very severe atmosphere. I remember her intensity and sharp glance.

The glut of information that is spayed at us on a daily basis is an important factor in the formation of our ideologies, and it's not even actually happening in front of us.

As I get older it gets harder and harder to hold on to the ephemeral excitement. When a documentary, or a screenplay, or even just a brainstorming session is going well I get to experience sense of hope, and expansiveness, even if it's just for a moment.

I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself.

The idea of discussing psychological and philosophical ideas in a visual medium was really exciting to me. I thought I was going to go into philosophy...and suddenly I found this way to combine that with my love for visual mediums.