Fiction is a branch of neurology: the scenarios of nerve and blood vessels are the written mythologies of memory and desire.
J. G. BallardI would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again... the future is just going to be a vast, conforming suburb of the soul.
J. G. BallardIt was an excess of fantasy that killed the old United States, the whole Mickey Mouse and Marilyn thing, the most brilliant technologies devoted to trivia like instant cameras and space spectaculars that should have stayed in the pages of Science Fiction . . . some of the last Presidents of the U.S.A. seemed to have been recruited straight from Disneyland.
J. G. BallardThe chief role of the universities is to prolong adolescence into middle age, at which point early retirement ensures that we lack the means or the will to enforce significant change.
J. G. BallardElectronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.
J. G. BallardThe marriage of reason and nightmare which has dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the specters of sinister technologies and the dreams that money can buy. Thermonuclear weapons systems and soft drink commercials coexist in an overlit realm ruled by advertising and pseudoevents, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century-sex and paranoia.
J. G. BallardI feel that, in a sense, the writer knows nothing any longer. He has no moral stance. He offers the reader the contents of his own head, a set of options and imaginative alternatives. His role is that of a scientist, whether on safari or in his laboratory, faced with an unknown terrain or subject. All he can do is to devise various hypotheses and test them against the facts.
J. G. BallardIn the post-Warhol era a single gesture such as uncrossing one's legs will have more significance than all the pages in War and Peace.
J. G. BallardThe car as we know it is on the way out. To a large extent, I deplore its passing, for as a basically old-fashioned machine, it enshrines a basically old-fashioned idea: freedom. In terms of pollution, noise and human life, the price of that freedom may be high, but perhaps the car, by the very muddle and confusion it causes, may be holding back the remorseless spread of the regimented, electronic society.
J. G. BallardThe enormous energy of the twentieth century, enough to drive the planet into a new orbit around a happier star, was being expended to maintain this immense motionless pause.
J. G. BallardNudity in photography, whether involving adults or children, is a subject sinking under a freight of political and moral disapproval it could never hope to support, and this is not the place for me to get out the bilge pump. I will only say that critics who tremble so fiercely at the thought of the voyeuristic male gaze miss the point that distance generates mystery and enchantment, and expresses the awe with which the male imagination regards all women.
J. G. BallardFilms, like memories, seem to re-shoot themselves over the years, reflecting our latest needs and obsessions. In many cases they can change completely, and reveal unexpected depths and shallows. Will Four Weddings and a Funeral be seen one day as a vicious social satire? Could Jaws become as tearful and sentimental as Bambi?
J. G. BallardThe catastrophe story, whoever may tell it, represents a constructive and positive act by the imagination rather than a negative one, an attempt to confront the terrifying void of a patently meaningless universe by challenging it at its own game. [. . .] Each one of these fantasies represents an arraignment of the finite, an attempt to dismantle the formal structure of time and space which the universe wraps around us at the moment we first achieve consciousness.
J. G. BallardIf you're against globalisation, it doesn't achieve much by sort of bombing the head offices of Shell or Nestle. You unsettle people much more by blowing up an Oxfam shop because people can't understand the motive.
J. G. BallardThe surrealists, and the modern movement in painting as a whole, seemed to offer a key to the strange postwar world with its threat of nuclear war. The dislocations and ambiguities, in cubism and abstract art as well as the surrealists, reminded me of my childhood in Shanghai.
J. G. BallardNonetheless, Scranton had travelled in space. He had known the loneliness of separation from all other human beings, he had gazed at the empty perspectives that I myself had seen.
J. G. BallardI believe that if it were possible to scrap the whole of existing literature, all writers would find themselves inevitably producing something very close to SF ... No other form of fiction has the vocabulary of ideas and images to deal with the present, let alone the future.
J. G. BallardThe functional freedom that anybody can buy a gun and go out and murder a lot of people at a McDonald's is prevalent, yes. But through the effects of TV and interactive video systems and so forth, we'll also have the freedom to pretend to be a mass murderer for the evening. I've seen descriptions of advanced TV systems in which a simulation of reality is computer controlledthe TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to ๏ฌction created by others, but an active participant in your own fantasies/dramas.
J. G. Ballard'What was being on the moon literally like?' [. . .] 'Being on the moon?' His tired gaze inspected the narrow street of cheap jewellery stores, with its office messengers and lottery touts, the off-duty taxi-drivers leaning against their cars. 'It was just like being here.'
J. G. BallardThe endless newsreel clips of nuclear explosions that we saw on TV in the 1960s (were) a powerful incitement to the psychotic imagination, sanctioning *everything*.
J. G. BallardI believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen.
J. G. BallardBy the eighteenth book, one has a sense of having bricked oneself into a niche, a roosting place for other people's pigeons. I wouldn't recommend it.
J. G. BallardThe American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam.
J. G. BallardTrying to exhaust himself, Vaughan devised an endless almanac of terrifying wounds and insane collisions: The lungs of elderly men punctured by door-handles; the chests of young women impaled on steering-columns; the cheek of handsome youths torn on the chromium latches of quarter-lights. To Vaughan, these wounds formed the key to a new sexuality, born from a perverse technology. The images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse.
J. G. BallardA reality that is electronic... Once everybody's got a computer terminal in their home, to satisfy all their needs, all the domestic needs, there'll be a dismantling of the present broadcasting structure, which is far too limited and limiting.
J. G. BallardMemories have huge staying power, but like dreams, they thrive in the dark, surviving for decades in the deep waters of our minds like shipwrecks on the sea bed.
J. G. BallardScience is the ultimate pornography, analytic activity whose main aim is to isolate objects or events from their contexts in time and space. This obsession with the specific activity of quantified functions is what science shares with pornography.
J. G. BallardA widespread taste for pornography means that nature is alerting us to some threat of extinction.
J. G. BallardThere is a British pop group called God. At a recent book signing the lead singer introduced himself and gave me a cassette. I have heard the voice of God.
J. G. BallardPeople will begin to explore all the sidestreets of sexual experience, but they will do it intellectually. . . . Sex won't take place in the bed, necessarily--it'll take place in the head!
J. G. BallardThe entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
J. G. BallardThe future is going to be boring. The suburbanisation of the planet will continue, and the suburbanisation of the soul will follow soon after.
J. G. BallardHell is out of fashion --institutional hells at any rate. The populated infernos of the 20th century are more private affairs, the gaps between the bars are the sutures of one's own skull. . .
J. G. Ballard