Quotes About Feel

How do I change? If I feel depressed I will sing. If I feel sad I will laugh. If I feel ill I will double my labor. If I feel fear I will plunge ahead. If I feel inferior I will wear new garments. If I feel uncertain I will raise my voice. If I feel poverty I will think of wealth to come. If I feel incompetent I will think of past success. If I feel insignificant I will remember my goals. Today I will be the master of my emotions.

I'm ready. I feel like I can't be beat. You have to feel like that being a fighter. I just feel like this is a bigger type of energy. I feel like I've beaten so many odds. I feel kind of invincible. It's going to be a good fight.

I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.

The life of a sannyasin should be a life of no expectations. And then every moment is such a bliss, such a benediction, because whatsoever God gives is so much. Then you always feel grateful. But your desires are so much that whatsoever God gives always looks so little; and you feel frustrated, and you feel complaints, and you cannot feel grateful. And without gratitude, there is no possibility of prayer arising in your heart. Gratitude is prayer.

I just stay healthy all year round. I try to feel good in my skin. For me, I have trained in ballet my whole life so my body really feels best when I feel strong and tight and toned, and I think that comes from years and years of constant training as a ballerina. Leading up to the show, getting out there in your underwear, you just want to feel your best mainly in your head than more anything else. Obviously you want to feel good physically too, so it's more just in your head, pushing yourself, approaching this challenge and taking the opportunity to push yourself a little further.

If you think about it, we love others not for who they are, but for how they make us feel. In order to willingly accept the direction of another individual, it must make you feel good to do so...If you believe what I'm saying, you cannot help but come to the conclusin that those you have followed passionately, gladly, zealously~have made you feel like somebody...This business of making another person feel good in the unspectacular course of his daily comings and goings is, in my view, the very essence of leadership.

I still feel like I don't know what I'm doing. Like, I'm unsure of what my life will be like. I mean, I have such an obsession with making movies that I probably will always do that. But sometimes my life can feel so suffocating, and then it can feel so massive, like I don't have a handle on it at all, and I don't know where it's going or what I'm going to do. Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.

The love of God uplifts and enlarges us. I can never think of myself anymore as exclusively in this body; I feel that I am present in all bodies. I have no awareness of race or other distinctions at all. In my perceptions, just as I feel my own consciousness in every part of my physical form, I feel you all to be a part of me. Everything that is living I feel within this body. I know the sensations of all. It is not imagination; it is Self-realization. This consciousness is far beyond telepathy. It is awareness of the perceptions of every being. That is the meaning of Christ Consciousness.

If anyone were to find out—” I began. Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.

I'm seventy-six now. I'm at a stage in my life where I feel a lot of affection and regard for women, and I felt the need to make this clear in some way. I don't know how they'll feel when they read it, but I feel okay about it.

You hear a lot of people, they turn 40 and it really bugs them and they get depressed or whatever. I don't know - I just don't feel that way. I feel 19 years old all the time. I mean, it's not a lie. I could easily say, God, I feel 70. Or maybe I seem like I'm 70 or 200 or something to other people, I don't know. My brain feels 19 all the time. And that's a good spot.

I feel sexy because I feel loved. That's what sexy is-it's feeling good from the inside. When you feel sexy or sensuous, you naturally want to open up and give, and I think that comes from being able to receive love and desire.

If you don't feel apologetic for slavery, if you don't feel apologetic for colonialism, if you feel proud of it then say that.

Let’s not ask Barbara Walters about how Muslim women feel. Let’s not ask Tom Brokaw how Muslim women feel. Let’s not ask CNN, ABC, FOX, The London Times, or the Australia Times. Let’s not ask non-Muslims how Muslim women feel, how they live, what are their principles, and what are their challenges. If you want to be fair, ask a Muslim woman. Ask my wife. Ask my mother. Ask a Muslim woman who knows her religion, who has a relationship with her Creator, who is stable in her society, understands her responsibilities. Ask her.

There is no desire that anyone holds for any other reason than that they believe they will feel better in the achievement of it. Whether it is a material object, a physical state of being, a relationship, a condition, or a circumstance - at the heart of every desire is the desire to feel good. And so, the standard of success in life is not the things or the money - the standard of success is absolutely the amount of joy you feel.

I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.

Many of our feelings of satisfaction or dissatisfaction have their roots in how we compare ourselves to others. When we compare ourselves to those who have more, we feel bad. When we compare ourselves to those who have less, we feel grateful. Even though the truth is we have exactly the same life either way, our feelings about our life can vary tremendously based on who we compare ourselves with. Compare yourself with those examples that are meaningful but that make you feel comfortable with who you are and what you have.

Perhaps we just need little reminders from time to time that we are already dignified, deserving, worthy. Sometimes we don't feel that way because of the wounds and the scars we carry from the past or because of the uncertainty of the future. It is doubtful that we came to feel undeserving on our own. We were helped to feel unworthy. We were taught it in a thousand ways when we were little, and we learned our lessons well.

I speak about androids because I think the android represents the new 'other.' You can compare it to being a lesbian or being a gay man or being a black woman ... What I want is for people who feel oppressed or feel like the 'other' to connect with the music and to feel like, 'She represents who I am.'

I feel like you have to be so precise in what you are going to say, or you can be hammered if you say it the wrong way. That part makes feel bummed out because sometimes these things can take a while to figure out. Different people formulate things in different ways and have different processes. I feel like let's just take a deep breath and not be so perfectionistic about it all.

If he needs a million acres to make him feel rich, seems to me he needs it 'cause he feels awful poor inside hisself, and if he's poor in hisself, there ain't no million acres gonna make him feel rich, an' maybe he's disappointed that nothin' he can do 'll make him feel rich.

To meditate, you need to feel, and feeling is a lost art. You need to feel the stillness of existence and also the sound of existence. You need to feel that which lies beyond your awareness field, and that which is within it.

Physically, I feel probably as good as I've ever felt. And I've got as much energy as I ever did. But what you feel after eight years - and I think you'd feel this no matter what, but anytime you have a big transition, it gets magnified - is time passes.

I feel that my characters all have some part of my character. I feel that they're all me in some way, certainly not in individuality, but they all bear elements of what I feel.

I don’t feel that I’m using technology. I don’t feel that I’m wearing technology. I feel that I am technology.

When you meditate you have to try to quiet and calm the mind. There should be no thought within the mind. Right now you feel that if you can cherish twenty ideas at a time, then you are the wisest man on earth. The more thoughts that enter into our minds, the more clever we feel we are. But in the spiritual life it is not like that. If consciously we can make the mind calm and quiet, we feel that a new creation dawns inside us.

I'm honest with myself how I feel. If I feel good, I feel good. If I don't - if I'm tight - I don't just try to muscle through everything, because you've got to be a little bit smarter.

If someone were to ask me whether I believed in God, or saw God, or had a particular relationship with God, I would reply that I don't separate God from my world in my thinking. I feel that God is everywhere. That's why I never feel separated from God or feel I must seek God, any more than a fish in the ocean feels it must seek water. In a sense, God is the "ocean" in which we live.

I don't feel any 'white guilt,' because I had nothing to do with (slavery) whatsoever. I feel shame for my country that it happened and that's why I feel we need to deal with it.

How you feel? How you feel? How you feel? 25 sittin on 25 mill.

I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.

I don't feel French at all. That was never really a concern, and it's limiting to think that way. I think Paris is more of a playground for international designers, so I don't really feel French. And I don't really want to feel French.

I feel like I'll always feel that I have so much to learn and I don't feel uncomfortable in my skin.

I want to feel that my characters evolved into a place that they deserved, that was sometimes unexpected, but where I would feel satiated that logically they have come to a conclusion that makes me feel satisfied.

The outside conditions of your life do not make you feel either secure or insecure. One person may feel secure with practically no money at all, while another may feel insecure with a million dollars in the bank. Your feelings of security or insecurity are due to your emotional programming.

After a lifetime of affectionate regard for dogs and many years of close observation and reflection, I have reached the conclusion that dogs feel more than I do (I am not prepared to speak for other people). They feel more, and they feel more purely and more intensely.

If I find something and feel as though I can contribute to [it] in a way and feel I'm in it, whatever that means, I'm expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.

One day, you don't feel like doing anything. Nothing interests you, everything bores you. Feel more and more empty inside, more and more dissatisfied with yourself and the world in general. Then even that feeling wears off, and you don't feel anything anymore. You become completely indifferent to what goes on around you... You forget how to laugh and cry - you're cold inside and incapable of loving anything or anyone... There's no going back... The disease has a name. It's called deadly tedium.

But he could not taste, he could not feel. In the teashop among the tables and the chattering waiters the appalling fear came over him- he could not feel. He could reason; he could read, Dante for example, quite easily…he could add up his bill; his brain was perfect; it must be the fault of the world then- that he could not feel.

A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.

The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.

I do worry that beginning cartoonists could feel somewhat strangled by the increasing critical seriousness comics has received of late and feel, like younger writers, that they have to have something to "say" before they set pen to paper. Many cartoonists feel even more passionate about this idea than I do, vehemently insisting that comics are inherently "non-art" and poop humor or whatever it is they think it is, but that attitude is a little like insisting that all modern writing should always take the form of The Canterbury Tales.

What I do feel with the different scripts that they give me where I feel like this is done for one of those reasons, I share my point of view. I don't just say, "No, thank you." I say, "I feel that this represents Latinos in a wrong way, in a bad way."

I feel also that the rhythm of a production is made by the lighting. If it feels like it's too long and too slow, it may well be because the light is changing in a way that makes the audience feel that way. Definitely I feel that light and music are very closely related.

And, because my role in society - or any artist or poet's role - is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it's like that's the job of the artist in society, not to...they're not some alienated being living on the outskirts of town. It's fine to live on the outskirts of town, but artists must reflect what we all are. … If that's taken it too much on meself, I feel that artists are that - they're reflections of society... Mirrors.

I feel that as artists - whatever your medium is - I feel that we're watching what goes on around us and we take what we don't see, or we don't hear, or we don't feel and we do something that speaks of it; more about it, for it, or against it - whatever our perspective is - that's what our job is.

Contrary to popular belief, prosperity is an emotional state that has little to do with your wealth or the state of the economy. You can feel more prosperous in a one-room cottage than most wealthy people feel in a twenty-room mansion. Misers will hoard a lot of money and spendthrifts will spend whatever they have - you don't have to do either to feel prosperous. You may have to give up your secure, high-paying corporate job, however - and grow spiritually in the process.

Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.