Because I liked you better Than suits a man to say, It irked you, and I promised I'd throw the thought away. To put the world between us We parted stiff and dry: 'Farewell,' said you, 'forget me.' 'Fare well, I will,' said I. If e'er, where clover whitens The dead man's knoll, you pass, And no tall flower to meet you Starts in the trefoiled grass, Halt by the headstone shading The heart you have not stirred, And say the lad that loved you Was one that kept his word.

Ale, man, ale's the stuff to drink for fellows whom it hurts to think.

Give crowns and pounds and guineas But not your heart away; Give pearls away and rubies, But keep your fancy free.

Luck's a chance, but trouble's sure.

Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.

Oh who is that young sinner with the handcuffs on his wrist? And what has he been after that they groan and shake their fists? And wherefore is he wearing such a conscience-stricken air? Oh they're taking him to prison for the colour of his hair.

But if you ever come to a road where danger; Or guilt or anguish or shame's to share. Be good to the lad who loves you true, And the soul that was born to die for you; And whistle and I'll be there.