Why, if 'tis dancing you would be, There's brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man. Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not.

Into my hear an air that kills through yon far country blows what are those blue remembered hills what spires,what farms are those? that is the land of lost content I can see it shining plain the happy highways where I went and cannot come again.

Do not ever read books about versification: no poet ever learnt it that way. If you are going to be a poet, it will come to you naturally and you will pick up all you need from reading poetry.

But if you ever come to a road where danger; Or guilt or anguish or shame's to share. Be good to the lad who loves you true, And the soul that was born to die for you; And whistle and I'll be there.

The fairies break their dances And leave the printed lawn.

To be a textual critic requires aptitude for thinking and willingness to think; and though it also requires other things, those things are supplements and cannot be substitutes. Knowledge is good, method is good, but one thing beyond all others is necessary; and that is to have a head, not a pumpkin, on your shoulders and brains, not pudding, in your head.

On occasions, after drinking a pint of beer at luncheon, there would be a flow into my mind with sudden and unaccountable emotion, sometimes a line or two of verse, sometimes a whole stanza, accompanied, not preceded by a vague notion of the poem which they were destined to form a part of.... I say bubble up because, so far as I could make out, the source of the suggestions thus proffered to the brain was the pit of the stomach.