Life, to be sure, is nothing much to lose, But young men think it is, and we were young.

I could no more define poetry than a terrier can define a rat.

Because I liked you better Than suits a man to say, It irked you, and I promised I'd throw the thought away. To put the world between us We parted stiff and dry: 'Farewell,' said you, 'forget me.' 'Fare well, I will,' said I. If e'er, where clover whitens The dead man's knoll, you pass, And no tall flower to meet you Starts in the trefoiled grass, Halt by the headstone shading The heart you have not stirred, And say the lad that loved you Was one that kept his word.

Good night; ensured release, Imperishable peace, Have these for yours. * While sky and sea and land And earth's foundations stand And heaven endures. *These three lines are on the tablet over Housman's grave in the parish church at Ludlow, Shropshire, England

Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.

They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up.

Lovers lying two and two Ask not whom they sleep beside, And the bridegroom all night through Never turns him to the bride.