For me, intrigue is a pretty powerful emotion. If you want to know more about a character, if you want to understand how they work, then you have enough curiosity to delve into their skin and their being. That was the biggest pull for me.

You think you might know something about yourself or why you act or react in certain ways and then you come to new information and suddenly you see your past and your present in a completely different light.

Do you remember A Wrinkle in Time? It's a good one example. I think the character's name is Meg. I just remember she was a very logical, intelligent, advanced girl. I wouldn't say that I felt like that was who I was, but I wanted to be around her; I wanted to be like her. She had an understanding of science and was incredibly curious - an interesting, complex young girl.

All of my scenes were with Jason Isaacs. I could definitely see myself going on an adventure with him, and learning as an actor from him.

I didn't want to be a cheerleader, and when you're young and you're blonde that's kind of thrust upon you whether you like it or not.

I guess I did a couple of things when I was a kid, but they weren't really acting - I think I walked down a corridor or something. Then I didn't want to do it at all. I got into it because both my parents were actors and so I went with the flow. Then I said, "I can't handle this, I don't like auditioning." I still hate auditioning, but it's less painful then it was back then.

For me, intrigue is a pretty powerful emotion. If you want to know more about a character, if you want to understand how they work, then you have enough curiosity to delve into their skin and their being. That was the biggest pull for me.