My fellow critics and I may occasionally fault a movie for departing, in detail or in spirit, from its literary source, but the grousing of a few adult pedants is nothing compared to the wrath of several million bookish 10-year-olds. Their presumed demands, and the hovering spirit of Harry's creator, J. K. Rowling, inhibit this movie as it did the first Potter film.

The movie, like the book before it, is an expertly built machine for the mass production of tears. Directed by Josh Boone 'Stuck in Love', with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. It succeeds.

I can't decide if this movie is so spectacularly, breathtakingly dumb as to induce stupidity in anyone who watches, or so brutally brilliant that it disarms all reason. What's the difference?

Subtle, funny and touching, with a striking downbeat authenticity. Director Craig Zobel is the real thing.

Pearl Harbor is strenuously respectful of contemporary sensitivities, sometimes at the cost of accuracy.

Campaign may invite a certain skepticism about democracy, but it will surely restore your faith in cinema verite.

STORIES WE TELL is one of the boldest and most exciting films I’ve seen in the last six months, and the kind of experience that has the power to alter your perception of the world.