Sometimes I intentionally cut it off. I just want to be in silence, especially when I'm traveling. I watch movies without sound.

That's a sound design thing but then we wanted to do music that would not disturb it and at the same time drive it.

The best way would be education and kids and all that stuff and then education and working education comes through. Then I started a music school and the music school now teaches kids to play the violin and the viola.

Since I worked with Danny Boyle before on Slumdog Millionaire, we have great success and everything. So, when I first got the script and the screenplay of Simon (Beaufoy) and I was reading it, even before the shoot, some kind of sounds came into my mind and I put some stuff [down] and sent it to Danny when he was cutting the movie.

I've never watched Trainspotting. I just know it's a very critically acclaimed film. In fact, I've never watched any of Danny's movies [means before he met him]. I just worked with him and felt the energy of what he is about initially before I do something. In a way, I think that's why we have discovered each other rather than replicate something else.

I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.

Rather than making money I believe in making people happy, all other things are secondary. Money isn't important, creative satisfaction is