It's a very simple process. He [Danny Boyl] comes in the tube (subway) and then he sits with me for 3 hours every evening and then I work on something. Then later, if he likes something, I put it even more perfectly. I tweak stuff. So this happened for 3 or 4 weeks and the music was done.
A. R. RahmanWe didn't want to do that. It would have been a beautiful moment in the movie but it would have brought the movie down. So Danny's vision was perfect I think when he wanted it to be driven at the same time having this new emotion about this boy coming as a hallucination or like a dรฉjร vu and as the future kid.
A. R. RahmanI've been doing music for many years and after a point what is the motivation that drives you to compose and to do stuff? I did this song for the U.N., a fighting for poverty anthem. That's when I realized that I could do a foundation. And when I started the foundation, it was basically to fight poverty and to help - that kind of stuff.
A. R. RahmanThat's the sound design. I watched it sixty times because we were constantly tweaking. The same thing comes twice, right? Once it comes in the beginning when he's about to discover that he needs to come out and one is the dream where he's flattered (??) and then he comes out. The last one, instead of going bigger, we made it smaller. We removed elements and thinned it out. So it doesn't drive him. He drives the music rather than the other way around.
A. R. Rahman