That was a very different emotion and I felt Dido's words would be good and I had a template with my voice in it. Then, when he heard it, he wanted both our voices together in it and that's the scene when he sees the boy and then he gets charged to go on that final cutting effort.

Your inner voice is the voice of divinity. To hear it, we need to be in solitude, even in crowded places.

The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done.

I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.

I don't even know where mine [Oscar award] is. My mother has hidden it because everybody who comes in wants to take a photograph of it. So what she's done is she put it inside a suitcase somewhere.

I wanted to be part of something bigger

I love classical music. I love a lot of musicians playing together and the whole culture of that, whether it's Indian or it's Western.