We two remake our world by naming it / Together, knowing what words mean for us / And for the other for whom current coin / Is cold speech - but we say, the tree, the pool, / And see the fire in the air, the sun, our sun, / Anybody's sun, the world's sun, but here, now / Particularly our sun.

I have a dreadful fear that the more you try to prevent revealing the self the more you do.

We two remake our world by naming it / Together, knowing what words mean for us / And for the other for whom current coin / Is cold speech - but we say, the tree, the pool, / And see the fire in the air, the sun, our sun, / Anybody's sun, the world's sun, but here, now / Particularly our sun.

There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.

In our world of sleek flesh and collagen, botox and liposuction, what we most fear is the dissolution of the body-mind, the death of the brain.

Good writing is always new.

I watch a lot of sport on television. I only watch certain sports, and I only watch them live - I don't think I've ever been able to watch a replay of a match or game of which the result was already decided. I feel bound to cheat and look up what can be looked up.