I think one of the biggest things that's changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We're getting closer and closer to an artist performance.

I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.

That's what a DJ is at the end of the day - someone who leads where the music goes. The only thing that's changed is that in America, people have woken up in the last few years and realized it.

I've talked to people who say that their music and their creative work is a much needed and appreciated escape, where they don't have to think about the state of the world; they're not even thinking about themselves so much. They're not trying to express their own experiences of that day or relationship strife or anything.

At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.

What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.

We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn't designed to work. But it's fun.