Music that is born complex is not inherently better or worse than music that is born simple.

A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.

So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.

To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.

Mozart in his music was probably the most reasonable of the world's great composers. It is the happy balance between flight and control, between sensibility and self-discipline, simplicity and sophistication of style that is his particular province... Mozart tapped once again the source from which all music flows, expressing himself with a spontaneity and refinement and breath-taking rightness that has never since been duplicated.

The melody is generally what the piece is all about.

You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.