I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.

I got as much information as I could, so I wouldn't look stupid, but this is a post 9/11 world and there's only so much you can do with the FBI in terms of research.

I'm always fascinated with how a person becomes a good quality person, a productive person, and how it happened to me, because I was a terror.

The F.B.I. is about nuts and bolts. It's all about witnesses and procedure and walking the streets.

I mean, the problem is, I think I'm a great writer.

Yeah, I'd like to get the girl and at least make it through the film.

A film has its own life and takes its own time.