[The U.S. government] was tired of treaties. They were tired of sacred hills. They were tired of ghost dances. And they were tired of all the inconveniences of the Sioux. So they brought out their cannons. 'You want to be an Indian now?' they said, finger on the trigger.

I wanted to be a painter, somewhere between Abstract Expressionism and Pop.

Your belief system saturates the space around you.

[The U.S. government] was tired of treaties. They were tired of sacred hills. They were tired of ghost dances. And they were tired of all the inconveniences of the Sioux. So they brought out their cannons. 'You want to be an Indian now?' they said, finger on the trigger.

My success is not measured in money. I have no financial security, I have no savings account. I measure my success by asking myself if I’m telling a story that the world needs to hear, if I am educating people.

I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.

The last chapter in any successful genocide is the one in which the oppressor can remove their hands and say, 'My God, what are these people doing to themselves? They're killing each other. They're killing themselves while we watch them die.' This is how we came to own these United States. This is the legacy of manifest destiny.