Life doesn't move in a linear fashion. Life makes lefts and rights, and it doubles back.

I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.

I listen to all kinds of music, but I've always been a really big fan of Top 40 radio. If I'm in my car, that's what I listen to.

I still sing every day - in the shower or on the set all day. I'm sure everyone will tell you that I never shut up. But it's not in the capacity that I would like to.

Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.

That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.

In an ideal world for me, I would like to go back and forth [between film and theater]. I kind of want to do it all