Sometimes chemistry does the trick, and other times, you have to forge that with the people.

Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.

Depression is something that seems really obscure when you see it in a theater, but when you talk to people who come to see it and hear their reactions, you realize that it is such a prevalent part of life and our society today that it really needed to be told, and still needs to be told.

I feel like I've been dealing with that building over the years because of the Broadway community, so I'm treating it in the same way - I've always tried to keep my personal life private. I didn't get into this business for notoriety or fame. I don't go to places to be seen and that's not going to change.

That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.

I didn't grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.

I watched so many movies when I was a kid, and I'd watch them over and over.